Emerson, Romanticism, and Intuitive Reason: The Transatlantic "light of All Our Day"University of Missouri Press, 2005 - 555 sidor Emerson, Romanticism, and Intuitive Reason is a comparative study in transatlantic Romanticism, focusing on Emerson's part in the American dialogue with British Romanticism and, as filtered through Coleridge, German Idealist philosophy. The book's guiding theme is the concept of intuitive Reason, which Emerson derived from Coleridge's distinction between Understanding and Reason and which Emerson associated with that "light of all our day" in his favorite stanza of Wordsworth's "Ode: Intimations of Immortality." Intuitive Reason became the intellectual and emotional foundation of American Transcendentalism. That light radiated out to illuminate Emerson's life and work, as well as the complex and often covert relationship of a writer who, however fiercely "self-reliant" and "original," was deeply indebted to his transatlantic precursors. The debt is intellectual and personal. Emerson's supposed indifference to, or triumph over, repeated familial tragedy is often attributed to his Idealism--a complacent optimism that blinded him to any vision of the tragic. His "art of losing" may be better understood as a tribute to the "healing power," the consolation in distress, which Emerson considered Wordsworth's principal value. The second part of this book traces Emerson's struggle--with the help of the "benignant influence" shed by that "light of all our day"--to confront and overcome personal tragedy, to attain the equilibrium epitomized in Wordsworth's "Elegiac Stanzas": "Not without hope we suffer and we mourn." As a study in what has been called "the paradox of originality," the book should appeal to those interested in the Anglo-American Romantic tradition and the innovations of the individual talent--especially in the capacity of a writer such as Emerson not only to absorb his precursors but also to use them as a stimulus to his own creative power. |
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Sida 106
... Earlier Poems " in Biographia Literaria . Let me establish the context for the words of Cole- ridge lifted by Emerson . What made " so unusual an impression " on his feelings immediately , and subsequently on his judgment in ...
... Earlier Poems " in Biographia Literaria . Let me establish the context for the words of Cole- ridge lifted by Emerson . What made " so unusual an impression " on his feelings immediately , and subsequently on his judgment in ...
Sida 166
... earlier , Emerson " simply does not know how old he is already and how young he is still going to be . " But Nietzsche , like Lawrence and Bloom , was following Emerson ( who in turn was following Wordsworth and Coleridge ) in ...
... earlier , Emerson " simply does not know how old he is already and how young he is still going to be . " But Nietzsche , like Lawrence and Bloom , was following Emerson ( who in turn was following Wordsworth and Coleridge ) in ...
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... earlier , in an 1835 journal entry on the unlawful inquiry about the highest , or " intuitive knowledge , " and " whence it sprang as if it were a thing subject to place and motion for it neither approached hither nor again departs from ...
... earlier , in an 1835 journal entry on the unlawful inquiry about the highest , or " intuitive knowledge , " and " whence it sprang as if it were a thing subject to place and motion for it neither approached hither nor again departs from ...
Innehåll
Prologue | 1 |
The Critics and the Participants | 23 |
The Light of All Our Day | 46 |
Upphovsrätt | |
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Emerson, Romanticism, and Intuitive Reason: The Transatlantic "light of All ... Patrick J. Keane Begränsad förhandsgranskning - 2005 |
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Aids to Reflection American Scholar assertion beauty Biographia Biographia Literaria Blake Bloom called Carlyle chapter cited Cole Coleridge and Wordsworth Coleridge's creative criticism crucial death distinction Divinity School Address earlier earth echoing edition elegy Emer Emersonian essay eternal Excursion feel final genius Goethe Harold Bloom heart heaven hope human imagination immortality individual influence insists intellectual Intimations Ode intuitive Reason italics added journal entry Kant Keats Laodamia later lecture letter light lines literary live M. H. Abrams Milton mind moral nature never Nietzsche Nietzsche's original pantheism Paradise passage philosophy Plotinus poem poet poetic poetry polarity praise Prelude prose Prospectus quoted Ralph Waldo Emerson readers Romantic Romanticism seems Self-Reliance sense soul spirit stanza sublime things thought Threnody Tintern Abbey tion Transcendentalism Transcendentalists truth understanding universe vision W. B. Yeats Wanderer William William Wordsworth Words Wordsworthian writing Yeats Yeats's