Illinois Studies in Language and Literature, Volym 32University of Illinois Press, 1946 - 117 sidor |
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... language midway between the vulgar and the ostentatious . It was to be distinguished , in Blackmore's words , by " Purity , Propriety and Splendor . " The plasticity of Elizabethan poetic diction , which ranges from the language of the ...
... language midway between the vulgar and the ostentatious . It was to be distinguished , in Blackmore's words , by " Purity , Propriety and Splendor . " The plasticity of Elizabethan poetic diction , which ranges from the language of the ...
Sida 235
... language as contrasted with the meticulously selected and carefully catalogued language of the eighteenth century ; and the poets influenced by the Elizabethans imitated the simplicity of the earlier poetic diction as frequently as they ...
... language as contrasted with the meticulously selected and carefully catalogued language of the eighteenth century ; and the poets influenced by the Elizabethans imitated the simplicity of the earlier poetic diction as frequently as they ...
Sida 256
... language and to provide a greater economy and directness of expression . In modernizing the language the corrector made no effort to preserve or to remove the parallelism of alliteration ; yet he was careful not to disturb the balanced ...
... language and to provide a greater economy and directness of expression . In modernizing the language the corrector made no effort to preserve or to remove the parallelism of alliteration ; yet he was careful not to disturb the balanced ...
Innehåll
INTRODUCTION I | 1 |
NATURE AND ART | 7 |
POETIC IMITATION | 28 |
Upphovsrätt | |
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Illinois Studies in Language and Literature, Volym 35, Utgåva 1–2 John Milton Fragmentarisk förhandsgranskning - 1951 |
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Aristotle Augustans autre avait avant avoir avons Bérénice bien c'est connu Corneille critical curiosité d'autres d'Edipe d'une Denores dénouement deux diction dire doute dramatique Drayton Dryden écrit edition effet eighteenth century Elizabethan literature Elizabethan poetry English epic été être Faerie Queene fait faut fois Gentleman's Magazine héros Horace Horatian Ibid imitation jamais John l'action l'histoire l'on le Cid literary Louis Racine lui-même Luisinus Madius Médée ment mieux Minturno mort n'en n'est neoclassic neoclassicists Nicomède œuvres passage pastoral personnages Pertharite peut Phèdre Phineas Fletcher pièce poem poet poète Poetics poétique Polyeucte Pompée préface premier propos qu'elle qu'il qu'on qu'un Racine raison remarquer Renaissance rien Robortellus Rodogune scène seule seulement Shakespeare siècle song Sophocle Sophonisbe souvent spectateur Spenser Spenserian Spenserian stanza stanza style suivant sujet théâtre Thomas Thomas Warton tion tout tragédie tragique vers verse voir Warton William wrote