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But near the spire one female form
Floats white-robed, pale and cold,
Mallet and chisel, damp with age,
Her slender fingers hold.

Loved daughter of the Master, she
Aided each heavy task,

Beside her father, morn and eve,
No respite did she ask.

Bread for the hungry Craftsman, she
Duly prepared and wrought,

And words of Faith, and Hope, and Love
She to the workmen brought.

Thirsting, she cooled their parching lips;
Wearied, she heard their sighs,

Fevered, she fanned their throbbing brows-
Dying, she closed their eyes.

Ghost-like and pale, the once strong men
Glide over each known spot,

And from the memories of the past,
Awaken scenes forgot.

No mortal being hath caught the sound,
Or grasped the palsied hand,

Of them who thus fraternally

Sweep round each column grand.

Thrice round the olden building, then

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They take their mystic way;

Happy to meet," they converse hold,
Till the first dawn of day.

Then down in each sepulchral bed,

The Masons take their rest,

Till next St. John's loud midnight bell,
Stirs through each phantom breast.

This is the legend; but far down

A solemn lesson is

For all who would their work should stan
Before the Master's eyes.

A voice from Heaven strews words of hope

Round grave, and vault, and sea,

"From labors freed, their works remain,
They did it unto me."

-MISS WILKINS.

EXECUTION OF COUNTS EGMONT AND HORN.

(A. D. 1568.)

DURING the night, the necessary preparations for the morning tragedy had been made in the great square of Brussels. It was the intention of government to strike terror to the heart of the people by the exhibition of an impressive and

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EXECUTION OF COUNTS EGMONT AND HORN.

appalling spectacle. The absolute and irresponsible destiny which ruled them was to be made manifest by the immolation of these two men, so elevated by rank, powerful connexion, and distinguished service.

The effect would be heightened by the character of the locality where the gloomy show was to be presented. The great square of Brussels had always a striking and theatrical aspect. Its architectural effects, suggesting in some degree the debased union between Oriental and a corrupt Grecian art, accomplished in the medieval midnight, have amazed the eyes of many generations. The splendid Hotel de Ville, with its daring spire and elaborate front, ornamented one side of the place; directly opposite was the graceful but incoherent façade of the Brood-huis, now the last earthly resting place of the two distinguished victims, while grouped around these principal buildings rose the fantastic palaces of the Archers, Mariners, and of other guilds, with their festooned walls and toppling gables bedizened profusely with emblems, statues and quaint decorations. The place had been alike the scene of many a brilliant tournament and of many a bloody execution. Gallant knights had contended within its precincts, while bright eyes rained influence from all those picturesque balconies and decorated windows. Martyrs to religious and to political liberty had, upon the same spot, endured agonies which might have roused every stone of its pavement to mutiny or softened them to pity. Here Egmont himself, in happier days, had often borne away the prize of skill or of valor, the cynosure of every eye; and hence, almost in the noon of a life illustrated by many brilliant actions, he was to be sent, by the hand of tyranny, to his great account.

On the morning of the 5th of June, three thousand Spanish troops were drawn up in battle array around a scaffold which had been erected in the centre of the square. Upon this scaffold, which was covered with black cloth, were placed two velvet cushions, two iron spikes, and a small table. Upon the table was a silver crucifix. The provost-marshal, Spelle, sat on horseback below, with his red wand in his hand, little dreaming that for him a darker doom was reserved than that of which he was now the minister. The executioner was concealed beneath the draperies of the scaffold.

At eleven o'clock a company of Spanish soldiers, led by

Julian Romero and Captain Salinas, arrived at Egmont's chamber. The Count was ready for them. They were about to bind his hands, but he warmly protested against the indignity, and, opening the folds of his robe, showed them that he had himself shorn off his collars, and made preparations for his death. His request was granted. Egmont, with the Bishop at his side, then walked with a steady step the short distance which, separated him from the place of execution. Julian Romero and the guard followed him. On his way, he read aloud the fifty-first Psalm: "Hear my cry, O God, and give ear unto my prayer!" He seemed to have selected these scriptural passages as a proof that, notwithstanding the machinations of his enemies, and the cruel punishment to which they had led him, loyalty to his sovereign was as deeply rooted and as religious a sentiment in his bosom as devotion to his God. "Thou wilt prolong the King's life; and his years as many generations. He shall abide before God forever! 0 prepare mercy and truth which may preserve him." Such was the remarkable prayer of the condemned traitor on his way to the block.

Having ascended the scaffold, he walked across it twice or thrice. He was dressed in a tabard or robe of red damask, over which was thrown a short black mantle, embroidered in gold. He had a black silk hat, with black and white plumes, on his head, and held a handkerchief in his hand. As he strode to and fro, he expressed a bitter regret that he had not been permitted to die, sword in hand, fighting for his country and his king. Sanguine to the last, he passionately asked Romero whether the sentence was really irrevocable, whether a pardon was not even then to be granted. The marshal shrugged his shoulders, murmuring a negative reply. Upon this, Egmont gnashed his teeth together, rather in rage than despair. Shortly afterward commanding himself again, he threw aside his robe and mantle, and took the badge of the Golden Fleece from his neck. Kneeling, then, upon one of the cushions, he said the Lord's Prayer aloud, and requested the bishop, who knelt at his side, to repeat it thrice. this, the prelate gave him the silver crucifix to kiss, and then pronounced his blessing upon him. This done, the Count rose again to his feet, laid aside his hat and handkerchief, knelt again upon the cushion, drew a little cap over his eyes, and,

After

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EXECUTION OF COUNTS EGMONT AND HORN.

folding his hands together, cried with a loud voice, "Lord, into thy hands I commit my spirit." The executioner then suddenly appeared, and severed his head from his shoulders at a single blow.

A moment of shuddering silence succeeded the stroke. The whole vast assembly seemed to have felt it in their own hearts. Tears fell from the eyes even of the Spanish soldiery, for they knew and honored Egmont as a valiant general. The French ambassador, Mondoucet, looking upon the scene from a secret place, whispered that he had now seen the head fall before which France had twice trembled, Tears were even seen upon the iron cheek of Alva, as, from a window in a house directly opposite the scaffold, he looked out upon the

scene.

A dark cloth was now quickly thrown over the body and the blood, and, within a few minutes, the Admiral was seen advancing through the crowd. His bald head was uncovered, his hands were unbound. He calmly saluted such of his acquaintances as he chanced to recognize upon his path. Under a black cloak, which he threw off when he had ascended the scaffold, he wore a plain, dark doublet, and he did not, like Egmont, wear the insignia of the Fleece. Casting his eyes upon the corpse, which lay covered with the dark cloth, he asked if it were the body of Egmont. Being answered in the affirmative, he muttered a few words in Spanish, which were not distinctly audible. His attention was next caught by the sight of his own coat of arms reversed, and he expressed anger at this indignity to his escutcheon, protesting that he had not deserved the insult. He then spoke a few words to the crowd below, wishing them happiness, and begging them to pray for his soul. He did not kiss the crucifix, but he knelt upon the scaffola to pray, and was assisted in his devotions by the Bishop of Ypres. When they were concluded, he rose again to his feet. Then drawing a Milan cap completely over his face, and uttering, in Latin, the same invocation which Egmont had used, he submitted his neck to the stroke.

Egmont had obtained, as a last favor, that his execution should precede that of his friend. Deeming himself in part to blame for Horn's reappearance in Brussels after the arrival of Alva, and for his death, which was the result, he wished to be spared the pang of seeing him dead. Gemma Frisius, the

astrologer who had cast the horoscope of Count Horn at his birth, had come to him in the most solemn manner to warn him against visiting Brussels. The Count had answered

stoutly that he placed his trust in God, and that, moreover, his friend Egmont was going thither also, who had engaged that no worse fate should befall the one of them than the other.

The heads of both sufferers were now exposed for two hours upon the iron stakes. Their bodies, placed in coffins, remained during the same interval upon the scaffold. Meantime, notwithstanding the presence of the troops, the populace could not be restrained from tears and from execrations. Many crowded about the scaffold, and dipped their handkerchiefs in the blood, to be preserved afterwards as memorials of the crime, and as ensigns of revenge.

The bodies were afterwards delivered to their friends. A stately procession of the guilds, accompanied by many of the clergy, conveyed their coffins to the church of Saint Gudule. Thence the body of Egmont was carried to the convent of Saint Clara, near the old Brussels gate, where it was embalmed. His escutcheon and banners were hung upon the outward wall of his residence, by order of the Countess. By command of Alva, they were immediately torn down. His remains were afterwards conveyed to his city of Sottegem, in Flanders, where they were interred. Count Horn was entombed at Kempen. The bodies had been removed from the scaffold at two o'clock. The heads remained exposed between burning torches for two hours longer. They were then taken down, enclosed in boxes, and, as it was generally supposed, despatched to Madrid. The King was thus enabled to look upon the dead faces of his victims without the trouble of a journey to the provinces.

Thus died Philip Montmorency, Count of Horn, and Lamoral of Egmont, Prince of Gaveren. --MOTLEY.

THE SEA GULL.

WHITE bird of the tempest ! O beautiful thing
With the bosom of snow, and the motionless wing,
Now sweeping the billow, now floating on high,
Now bathing thy plumes in the light of the sky;

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