Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 154
... Cordelia at his side , he imagines that already apocalypse is past , she is a soul in bliss , he bound upon a wheel of fire . Appearing in the last act with Cordelia dead in his arms , he wonders that those around him do not crack ...
... Cordelia at his side , he imagines that already apocalypse is past , she is a soul in bliss , he bound upon a wheel of fire . Appearing in the last act with Cordelia dead in his arms , he wonders that those around him do not crack ...
Sida 174
... Cordelia . Institutions are necessary if society is to exist at all ; but as the play here eloquently points out , and as Lear from this point on himself knows , they are not enough . What human related- ness truly means , stripped of ...
... Cordelia . Institutions are necessary if society is to exist at all ; but as the play here eloquently points out , and as Lear from this point on himself knows , they are not enough . What human related- ness truly means , stripped of ...
Sida 178
... Cordelia's . Cordelia , our highest choice , is what we always want the gods to guarantee . But to this the gods will not consent . Hence when Albany exclaims , at Edmund's confession that he has ordered Cordelia's death , " The gods ...
... Cordelia's . Cordelia , our highest choice , is what we always want the gods to guarantee . But to this the gods will not consent . Hence when Albany exclaims , at Edmund's confession that he has ordered Cordelia's death , " The gods ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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