Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
Från bokens innehåll
Resultat 1-3 av 14
Sida 20
... Coriolanus , and the tribunes in Julius Caesar , vilifying the Roman mob ; Henry V before Harfleur haranguing " You noble English " ( 3.1.17 ) ; King Lear scourging a social system that only his offstage audience could be 20 AUDIENCE ...
... Coriolanus , and the tribunes in Julius Caesar , vilifying the Roman mob ; Henry V before Harfleur haranguing " You noble English " ( 3.1.17 ) ; King Lear scourging a social system that only his offstage audience could be 20 AUDIENCE ...
Sida 234
... ( Coriolanus , 4.1.29 ) This idiom is not , of course , used by the hero only . It is the language he is dressed in by all who love him and often by those who do not : This was the noblest Roman of them all ... His life was gentle , and ...
... ( Coriolanus , 4.1.29 ) This idiom is not , of course , used by the hero only . It is the language he is dressed in by all who love him and often by those who do not : This was the noblest Roman of them all ... His life was gentle , and ...
Sida 256
... Coriolanus . “ The greatest prince o ' th ' world , The noblest " ( 4.15.54 ) , finds his greatness slipped from him , and his nobility debased to the ignominy of having helpless emissaries whipped . The proud and upright Coriolanus ...
... Coriolanus . “ The greatest prince o ' th ' world , The noblest " ( 4.15.54 ) , finds his greatness slipped from him , and his nobility debased to the ignominy of having helpless emissaries whipped . The proud and upright Coriolanus ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
6 andra avsnitt visas inte
Andra upplagor - Visa alla
Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
Vanliga ord och fraser
action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
Hänvisningar till den här boken
Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |