Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 135
... Iago's darkness , but , in some degree , everyone in the play . 4 Scene 2 brings us further evidence about Iago . If the manuscript of the play , it has often been remarked , had been lost except for the first scene , the only Othello ...
... Iago's darkness , but , in some degree , everyone in the play . 4 Scene 2 brings us further evidence about Iago . If the manuscript of the play , it has often been remarked , had been lost except for the first scene , the only Othello ...
Sida 149
... Iago's darker outlook on sexuality , he can abstract her into the generalized category of disloyal wife and commit her to a generalized fate . Much of the horror of this scene for spectators in the theater lies in its seeming to mark ...
... Iago's darker outlook on sexuality , he can abstract her into the generalized category of disloyal wife and commit her to a generalized fate . Much of the horror of this scene for spectators in the theater lies in its seeming to mark ...
Sida 239
... Iago's poison does not work more powerfully through his images than through a corrosive habit of abstraction applied in those unique relations of love and faith where abstraction is most irrelevant and most destructive . Iago has ...
... Iago's poison does not work more powerfully through his images than through a corrosive habit of abstraction applied in those unique relations of love and faith where abstraction is most irrelevant and most destructive . Iago has ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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