Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 155
... King Lear as never before . " Every great critic , " this student writes , from Johnson on , including many who were and are hostile to the play , at some time or other begins to ... King Lear 155 " WE CAME CRYING HITHER " : KING LEAR.
... King Lear as never before . " Every great critic , " this student writes , from Johnson on , including many who were and are hostile to the play , at some time or other begins to ... King Lear 155 " WE CAME CRYING HITHER " : KING LEAR.
Sida 156
... , throws down his glove before an imaginary opponent - " There's my gauntlet ; I'll prove it on a giant " ( 4.6.90 ) — and , afterward , when the - blind Gloucester enters , defies him too : " No 156 " WE CAME CRYING HITHER " : KING LEAR.
... , throws down his glove before an imaginary opponent - " There's my gauntlet ; I'll prove it on a giant " ( 4.6.90 ) — and , afterward , when the - blind Gloucester enters , defies him too : " No 156 " WE CAME CRYING HITHER " : KING LEAR.
Sida 159
... . Othello faces two ways of understanding love , Iago's and Desdemona's - which is almost to say , in the play's terms , two systems of valuing and two ways of being - but we are 159 " WE CAME CRYING HITHER " : KING LEAR.
... . Othello faces two ways of understanding love , Iago's and Desdemona's - which is almost to say , in the play's terms , two systems of valuing and two ways of being - but we are 159 " WE CAME CRYING HITHER " : KING LEAR.
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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