Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 28
... lady at sexual insult , she drops into the treacherous idiom of : “ And thou must stand by too , and suffer every knave to use me at his pleasure ! " ( 2.4.146 ) . Much of the humor of Mistress Quickly in 1 Henry IV comes from ringing ...
... lady at sexual insult , she drops into the treacherous idiom of : “ And thou must stand by too , and suffer every knave to use me at his pleasure ! " ( 2.4.146 ) . Much of the humor of Mistress Quickly in 1 Henry IV comes from ringing ...
Sida 85
... Lady Capulet's hatred of the Montagues and bubble over in Mercutio's witty scorn of everything that looks like ... lady's beauty to various kinds of dazzling light becomes in his hands Juliet hanging upon the cheek of night like a ...
... Lady Capulet's hatred of the Montagues and bubble over in Mercutio's witty scorn of everything that looks like ... lady's beauty to various kinds of dazzling light becomes in his hands Juliet hanging upon the cheek of night like a ...
Sida 191
... Lady Macbeth evokes it ( 1.5.48 ) and then finds herself its pris- oner , endlessly sleepwalking through the thick night of a darkened mind . Macbeth succumbs to its embrace so completely that , in the end , even a " night - shriek ...
... Lady Macbeth evokes it ( 1.5.48 ) and then finds herself its pris- oner , endlessly sleepwalking through the thick night of a darkened mind . Macbeth succumbs to its embrace so completely that , in the end , even a " night - shriek ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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