Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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... , and the tribunes in Julius Caesar , vilifying the Roman mob ; Henry V before Harfleur haranguing " You noble English " ( 3.1.17 ) ; King Lear scourging a social system that only his offstage audience could be 20 AUDIENCE AND PLAY.
... , and the tribunes in Julius Caesar , vilifying the Roman mob ; Henry V before Harfleur haranguing " You noble English " ( 3.1.17 ) ; King Lear scourging a social system that only his offstage audience could be 20 AUDIENCE AND PLAY.
Sida 21
... Roman theater , if we may believe Vitruvius , who saw in its circularity an emblem of cosmic harmony that included " the twelve celestial signs , which astrologists calculate for the music of the stars . " 15 It was more deeply and ...
... Roman theater , if we may believe Vitruvius , who saw in its circularity an emblem of cosmic harmony that included " the twelve celestial signs , which astrologists calculate for the music of the stars . " 15 It was more deeply and ...
Sida 213
... Roman soldier is and does , guarded and passed on from generation to generation in world opinion . When he takes Cleopatra in his arms at the play's beginning , he is conscious of the world as audience ; in fact , he invokes it : The ...
... Roman soldier is and does , guarded and passed on from generation to generation in world opinion . When he takes Cleopatra in his arms at the play's beginning , he is conscious of the world as audience ; in fact , he invokes it : The ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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