Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 21
... Shakespeare than optimum use of the spatial relations of his theater to bring the audi- ence to that alert sense of participation and revelation which Joyce calls epiphany . 14 And over and through all this , as we know , still floated ...
... Shakespeare than optimum use of the spatial relations of his theater to bring the audi- ence to that alert sense of participation and revelation which Joyce calls epiphany . 14 And over and through all this , as we know , still floated ...
Sida 60
... Shakespeare's role in these anatomies of mating was , one supposes , like the role of art for the Renaissance generally , dulce et utile , both entertain- ing and doctrinal . Viewed in one light , what he brought his audiences was ...
... Shakespeare's role in these anatomies of mating was , one supposes , like the role of art for the Renaissance generally , dulce et utile , both entertain- ing and doctrinal . Viewed in one light , what he brought his audiences was ...
Sida 114
... Shakespeare's time , an ac- tor's costume or an actor's role . This is the meaning when the king says to Laertes as they lay the plot against Hamlet's life : " Weigh what con- venience both of time and means May fit us to our shape ...
... Shakespeare's time , an ac- tor's costume or an actor's role . This is the meaning when the king says to Laertes as they lay the plot against Hamlet's life : " Weigh what con- venience both of time and means May fit us to our shape ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |