Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 33
... comic romance so long as the lovely vision lasts - where he will be joined by Don Quixote later . It is as though Shakespeare were dramatizing Hal's frustrated sense of what has happened to his triumph , when he makes him abruptly close ...
... comic romance so long as the lovely vision lasts - where he will be joined by Don Quixote later . It is as though Shakespeare were dramatizing Hal's frustrated sense of what has happened to his triumph , when he makes him abruptly close ...
Sida 70
... comic fluency , not to mention the imaginative barrenness , of their grief : " But one , poor one , one poor and loving child ” ( 4.5.46 ) – “ O day , O day , O day ! O hateful day ! ” ( 4.5.52 ) — “ O love ! O life ! Not life , but ...
... comic fluency , not to mention the imaginative barrenness , of their grief : " But one , poor one , one poor and loving child ” ( 4.5.46 ) – “ O day , O day , O day ! O hateful day ! ” ( 4.5.52 ) — “ O love ! O life ! Not life , but ...
Sida 82
... comic coloring , thanks to the ineptitude of the contestants , who show a marked disinclination to get hurt . Then , in almost instantaneous counterpoint , comes the encounter of the two young gentlemen . In dress , speech , and ...
... comic coloring , thanks to the ineptitude of the contestants , who show a marked disinclination to get hurt . Then , in almost instantaneous counterpoint , comes the encounter of the two young gentlemen . In dress , speech , and ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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