Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 80
... death are identified or closely linked . First , by Juliet herself : Come , cords ; come , nurse . I'll to my wedding bed ; And death , not Romeo , take my maidenhead ! ( 3.2.136 ) Soon after , by her mother , angered at Juliet's ...
... death are identified or closely linked . First , by Juliet herself : Come , cords ; come , nurse . I'll to my wedding bed ; And death , not Romeo , take my maidenhead ! ( 3.2.136 ) Soon after , by her mother , angered at Juliet's ...
Sida 81
... death , even perhaps ( however unconsciously ) seeks death ? being oblivious of all competing values to a degree that ordinary human lives cannot afford and determined to hold fast to a perfection that such lives cannot long sustain ...
... death , even perhaps ( however unconsciously ) seeks death ? being oblivious of all competing values to a degree that ordinary human lives cannot afford and determined to hold fast to a perfection that such lives cannot long sustain ...
Sida 153
... death comes to Lear ! Not in a moment of self - scrutiny that stirs us to awe or exaltation or regret at waste , but as a blessing at which we must rejoice with Kent , hardly more than a needful afterthought to the death that counts dra ...
... death comes to Lear ! Not in a moment of self - scrutiny that stirs us to awe or exaltation or regret at waste , but as a blessing at which we must rejoice with Kent , hardly more than a needful afterthought to the death that counts dra ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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