Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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... dramatic style , as we all know , com- prises a range of idioms and stage techniques whose poles are , on the one side , the decisively " emblematic " moment , illustrated in such scenes as the garden scene in Richard II and in such ...
... dramatic style , as we all know , com- prises a range of idioms and stage techniques whose poles are , on the one side , the decisively " emblematic " moment , illustrated in such scenes as the garden scene in Richard II and in such ...
Sida 44
... dramatic economies that Shakespeare achieves in this way are obvious enough , and one might argue , here again , that under these surface dif- ferences from historical reality there lurks a species of higher truth in the uncompromising ...
... dramatic economies that Shakespeare achieves in this way are obvious enough , and one might argue , here again , that under these surface dif- ferences from historical reality there lurks a species of higher truth in the uncompromising ...
Sida 86
... ever loved , for which he has managed to find in his story of two hapless lovers unobtrusive but unforgettable dramatic forms . One such experience is the mysterious mix in every sexual passion of 86 THE AMBIGUITIES OF ROMEO AND JULIET.
... ever loved , for which he has managed to find in his story of two hapless lovers unobtrusive but unforgettable dramatic forms . One such experience is the mysterious mix in every sexual passion of 86 THE AMBIGUITIES OF ROMEO AND JULIET.
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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