Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 14
... engagement do not stop there . A radio audience in the thirties , it will be recalled , panicked when listening to an Orson Welles program dramatizing an invasion from Mars . Several spectators are reported to have been carried out in a ...
... engagement do not stop there . A radio audience in the thirties , it will be recalled , panicked when listening to an Orson Welles program dramatizing an invasion from Mars . Several spectators are reported to have been carried out in a ...
Sida 26
... engagement of Fortinbras and Laertes . That Hamlet does not manifest the extreme engagement of Othello and the rest , but seems to stand back , with- holding something , a man of multiple not single directions , is perhaps the reason ...
... engagement of Fortinbras and Laertes . That Hamlet does not manifest the extreme engagement of Othello and the rest , but seems to stand back , with- holding something , a man of multiple not single directions , is perhaps the reason ...
Sida 34
... engagement in the robbery mirror Hotspur's status as honor- seeker and engagement in the conspiracy ; but whose escape from the role of others ' dupe in the tavern scene , and whose detachment from the war - a detachment no more ...
... engagement in the robbery mirror Hotspur's status as honor- seeker and engagement in the conspiracy ; but whose escape from the role of others ' dupe in the tavern scene , and whose detachment from the war - a detachment no more ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |