Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 93
... episode thus dramatizes instantaneously what I take to be the oncoming theme of the play : that a man's will is not enough ; that there are other matters to be reckoned with , like the infertility of one's wife , or one's own affliction ...
... episode thus dramatizes instantaneously what I take to be the oncoming theme of the play : that a man's will is not enough ; that there are other matters to be reckoned with , like the infertility of one's wife , or one's own affliction ...
Sida 172
... episode , makes " the creature run from the cur " ( 4.6.154 ) - he is ejected ( and punished ) in favor of one whose true titles , Kent tells us , make him no gentleman , but " the composition of a knave , beggar , coward , pander , and ...
... episode , makes " the creature run from the cur " ( 4.6.154 ) - he is ejected ( and punished ) in favor of one whose true titles , Kent tells us , make him no gentleman , but " the composition of a knave , beggar , coward , pander , and ...
Sida 241
... episode ( sometimes more than one ) of spiritual cross purposes : a scene in which the line of tragic speech and ... episodes as are " humorous or semi- humorous , " places them among Shakespeare's devices for sustaining in- terest ...
... episode ( sometimes more than one ) of spiritual cross purposes : a scene in which the line of tragic speech and ... episodes as are " humorous or semi- humorous , " places them among Shakespeare's devices for sustaining in- terest ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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