Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 3
... experienced , will experience - must experience : No , no , no life ? Why should a dog , a horse , a rat , have life , And thou no breath at all ? Thou'lt come no more , Never , never , never , never , never . ( 5.3.306 ) 2 These are ...
... experienced , will experience - must experience : No , no , no life ? Why should a dog , a horse , a rat , have life , And thou no breath at all ? Thou'lt come no more , Never , never , never , never , never . ( 5.3.306 ) 2 These are ...
Sida 15
Reflections Chiefly on the Tragedies Maynard Mack. matic experience , and in fact the Renaissance view of art generally , has rarely been better put . The work , though composed to be experienced as a Second Nature , is likewise to be ...
Reflections Chiefly on the Tragedies Maynard Mack. matic experience , and in fact the Renaissance view of art generally , has rarely been better put . The work , though composed to be experienced as a Second Nature , is likewise to be ...
Sida 36
... experiences we watch , become the person we behold . I can think of no better instance of the two styles in perfect ... experience of young Hamlet the Dane . These distinctions are obvious , embarrassingly hackneyed . Yet we seem ...
... experiences we watch , become the person we behold . I can think of no better instance of the two styles in perfect ... experience of young Hamlet the Dane . These distinctions are obvious , embarrassingly hackneyed . Yet we seem ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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