Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
Från bokens innehåll
Resultat 1-3 av 43
Sida 15
... fact that we know it to be a reflection as from the fact that it is a face we know . What the modern theater seeks to recapture in the work of a few advanced dramatists , Shakespeare's theater had as free gift from its his- tory ...
... fact that we know it to be a reflection as from the fact that it is a face we know . What the modern theater seeks to recapture in the work of a few advanced dramatists , Shakespeare's theater had as free gift from its his- tory ...
Sida 31
... fact on our attention by his sly fooling at the expense of Francis . But the joke on Francis turns out to be inconclusive — in fact , falls flat and turns against its proposer ; for while Francis is confused and says what Hal has ...
... fact on our attention by his sly fooling at the expense of Francis . But the joke on Francis turns out to be inconclusive — in fact , falls flat and turns against its proposer ; for while Francis is confused and says what Hal has ...
Sida 74
... fact that the lovers are permitted to maintain , in the face of all the influences that might corrupt or compromise it , an absolute integrity of devotion to each other , and to express it with a lyricism untouched by the playful ...
... fact that the lovers are permitted to maintain , in the face of all the influences that might corrupt or compromise it , an absolute integrity of devotion to each other , and to express it with a lyricism untouched by the playful ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
6 andra avsnitt visas inte
Andra upplagor - Visa alla
Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
Vanliga ord och fraser
action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
Hänvisningar till den här boken
Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |