Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 103
... feelings by appealing to his own : " If you have tears , pre- pare to shed them now " ( 3.2.169 ) . The power of ... feeling of a son for a murdered father could ever be " satisfied " by reasons . And thus , too , urging the crowd ...
... feelings by appealing to his own : " If you have tears , pre- pare to shed them now " ( 3.2.169 ) . The power of ... feeling of a son for a murdered father could ever be " satisfied " by reasons . And thus , too , urging the crowd ...
Sida 167
... feeling to flare up unexpectedly in the most unpretentious forms of speech , yet seems to tell us at the same time ( the very measure of its art- fulness in fact ) that " feeling and suffering . . . are beyond words . " " The play is ...
... feeling to flare up unexpectedly in the most unpretentious forms of speech , yet seems to tell us at the same time ( the very measure of its art- fulness in fact ) that " feeling and suffering . . . are beyond words . " " The play is ...
Sida 241
... feeling generated by commitment is crossed by an alien speech and feeling very much detached . Bradley , noting such of these episodes as are " humorous or semi- humorous , " places them among Shakespeare's devices for sustaining in ...
... feeling generated by commitment is crossed by an alien speech and feeling very much detached . Bradley , noting such of these episodes as are " humorous or semi- humorous , " places them among Shakespeare's devices for sustaining in ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |