Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 63
... give thee all and in his waning age Set foot under thy table . Tut , a toy ! An old Italian fox is not so kind , my boy . ( 2.1.402 ) Though Shakespeare cannot have been aware of it at the time , Gremio's " Your father were a fool To give ...
... give thee all and in his waning age Set foot under thy table . Tut , a toy ! An old Italian fox is not so kind , my boy . ( 2.1.402 ) Though Shakespeare cannot have been aware of it at the time , Gremio's " Your father were a fool To give ...
Sida 99
... give a color of justice to Brutus's act , even if we happen to think the assassination a mistake as many members of an Elizabethan audience emphatically would , Caesar must be seen in a mood of super - humanity at least as fatuous as ...
... give a color of justice to Brutus's act , even if we happen to think the assassination a mistake as many members of an Elizabethan audience emphatically would , Caesar must be seen in a mood of super - humanity at least as fatuous as ...
Sida 222
... give verisimilitude to his ba- roque tale of Cleopatra's death ( and by Shakespeare , I suspect , to give a possibly sexual and certainly risible edge to the whole proceeding ) : The last she spake Was " Antony ! most noble Antony ...
... give verisimilitude to his ba- roque tale of Cleopatra's death ( and by Shakespeare , I suspect , to give a possibly sexual and certainly risible edge to the whole proceeding ) : The last she spake Was " Antony ! most noble Antony ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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