Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 26
... heroes ( because disengagement is in a sense his problem ) , is made to seem heroically engaged when placed against the extreme detachment of Horatio ; though Hamlet's detach- ment is likewise placed favorably against the too easy ...
... heroes ( because disengagement is in a sense his problem ) , is made to seem heroically engaged when placed against the extreme detachment of Horatio ; though Hamlet's detach- ment is likewise placed favorably against the too easy ...
Sida 258
... hero's way will lie through quasi - symbolic settings or situations . The heath in both Mac- beth and King Lear is infinitely suggestive , even if like all good symbols it refuses to dissipate its Dinglichkeit in meaning . The same is ...
... hero's way will lie through quasi - symbolic settings or situations . The heath in both Mac- beth and King Lear is infinitely suggestive , even if like all good symbols it refuses to dissipate its Dinglichkeit in meaning . The same is ...
Sida 260
... hero as approach- ing his opposite is followed by a final phase in which we are conscious of him as exhibiting one or more aspects of his original , or — since these may not coincide - his better self : as in the case of Antony's final ...
... hero as approach- ing his opposite is followed by a final phase in which we are conscious of him as exhibiting one or more aspects of his original , or — since these may not coincide - his better self : as in the case of Antony's final ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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