Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 50
... killed each other , the boy Rutland pleads for his life to an angry Clifford , whose father has been killed by Rutland's father , only to hear his plea answered in the following terms : Had I thy brethren here , their lives and thine ...
... killed each other , the boy Rutland pleads for his life to an angry Clifford , whose father has been killed by Rutland's father , only to hear his plea answered in the following terms : Had I thy brethren here , their lives and thine ...
Sida 100
... kill Caesar - so he persuades himself - because he was a threat to freedom . It would not have been just to kill ... killed him , so trusting of common decency that he expects the populace will respond to reason , and Antony to 100 ...
... kill Caesar - so he persuades himself - because he was a threat to freedom . It would not have been just to kill ... killed him , so trusting of common decency that he expects the populace will respond to reason , and Antony to 100 ...
Sida 123
... killing ; but because to get at the world of seeming one is impelled to use its weapons . He himself , before he finishes , has become a player , has put an antic disposition on , has killed a man — the wrong man - has helped drive ...
... killing ; but because to get at the world of seeming one is impelled to use its weapons . He himself , before he finishes , has become a player , has put an antic disposition on , has killed a man — the wrong man - has helped drive ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |