Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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... kind of insight we call genius . Shakespeare is one such , in drama possibly the greatest of all such , and offers much to which , in the 1990s as in the long past , we can profitably listen . If but one word in the following commentary ...
... kind of insight we call genius . Shakespeare is one such , in drama possibly the greatest of all such , and offers much to which , in the 1990s as in the long past , we can profitably listen . If but one word in the following commentary ...
Sida 34
Reflections Chiefly on the Tragedies Maynard Mack. sweet Jack Falstaff , kind Jack Falstaff , true Jack Falstaff ... kind offer of the king " ( 5.2.2 ) , make plain the quicksands that lie in an excess of detachment . And Falstaff ...
Reflections Chiefly on the Tragedies Maynard Mack. sweet Jack Falstaff , kind Jack Falstaff , true Jack Falstaff ... kind offer of the king " ( 5.2.2 ) , make plain the quicksands that lie in an excess of detachment . And Falstaff ...
Sida 159
... kind of painfulness that the play always communicates to its audiences . In King Lear we are not permitted to experience violence as an external- ization of a psychological drama which has priority in both time and significance , and ...
... kind of painfulness that the play always communicates to its audiences . In King Lear we are not permitted to experience violence as an external- ization of a psychological drama which has priority in both time and significance , and ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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