Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 81
... love - death " because un- able or unwilling to absorb the losses imposed by a " love - life ” ? Or is the implied connection at once simpler and more universal : that death is always the " other pole " required to generate love's ...
... love - death " because un- able or unwilling to absorb the losses imposed by a " love - life ” ? Or is the implied connection at once simpler and more universal : that death is always the " other pole " required to generate love's ...
Sida 215
... love's postures in a net they cannot break , move our superior laughter — as do , in one of their dimensions , Antony and Cleopatra ? Are we to remember , too , the Renaissance taste for paintings and engravings that show a Mars ...
... love's postures in a net they cannot break , move our superior laughter — as do , in one of their dimensions , Antony and Cleopatra ? Are we to remember , too , the Renaissance taste for paintings and engravings that show a Mars ...
Sida 223
... love's bondage is the highest freedom ( " To enter in these bonds , is to be free , " says Donne ) , 11 which ... love poetry are the conception of love - as - space , and the closely related conception of love - as - war . These ...
... love's bondage is the highest freedom ( " To enter in these bonds , is to be free , " says Donne ) , 11 which ... love poetry are the conception of love - as - space , and the closely related conception of love - as - war . These ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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