Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 91
... mind , stands out , and it is to this exclusively , leaving out much , that I want to call attention here . The place to begin is the second scene . We have just learned from scene 1 of Caesar's return in triumph from warring on ...
... mind , stands out , and it is to this exclusively , leaving out much , that I want to call attention here . The place to begin is the second scene . We have just learned from scene 1 of Caesar's return in triumph from warring on ...
Sida 114
... mind seems to worry this phrase in the play much as Hamlet's mind worries the prob- lem of acting in a world of surfaces , or the king's mind worries the meaning of Hamlet's transformation . Hamlet has put an antic disposi- tion on ...
... mind seems to worry this phrase in the play much as Hamlet's mind worries the prob- lem of acting in a world of surfaces , or the king's mind worries the meaning of Hamlet's transformation . Hamlet has put an antic disposi- tion on ...
Sida 134
... mind , Desdemona will be strangled . So when we see Othello make that fateful entry into their bedroom bearing a pitifully small light , we are to bear in mind this opening moment when 134 " SPEAK OF ME AS I AM " : OTHELLO.
... mind , Desdemona will be strangled . So when we see Othello make that fateful entry into their bedroom bearing a pitifully small light , we are to bear in mind this opening moment when 134 " SPEAK OF ME AS I AM " : OTHELLO.
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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