Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
Från bokens innehåll
Resultat 1-3 av 40
Sida 58
... simply a woman cruelly trapped into an unpalatable arranged marriage ( or else , like Beatrice , and possibly Kate , one whose apprehen- sion of such a fate impelled her to keep up an ostensibly invincible front ) , held legally and ...
... simply a woman cruelly trapped into an unpalatable arranged marriage ( or else , like Beatrice , and possibly Kate , one whose apprehen- sion of such a fate impelled her to keep up an ostensibly invincible front ) , held legally and ...
Sida 111
... simply a matter of missing motivations , to be expunged if only we could find the perfect clue . It is built in . It is evidently an important part of what the play wishes to say to us . And it is certainly an element that the play ...
... simply a matter of missing motivations , to be expunged if only we could find the perfect clue . It is built in . It is evidently an important part of what the play wishes to say to us . And it is certainly an element that the play ...
Sida 172
... simply being a human being- everyone's fellow by virtue of a shared humanity ? During the heath scenes , when Lear , Kent , Edgar , and the Fool become fellows in misery as well as in lack of status , this question is given a poignant ...
... simply being a human being- everyone's fellow by virtue of a shared humanity ? During the heath scenes , when Lear , Kent , Edgar , and the Fool become fellows in misery as well as in lack of status , this question is given a poignant ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
6 andra avsnitt visas inte
Andra upplagor - Visa alla
Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
Vanliga ord och fraser
action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
Hänvisningar till den här boken
Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |