Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 19
... stage to be the world and the world to be a stage . Shake- speare constantly alludes to this interplay of fact and dream , as critics have pointed out . Sometimes he used it to supply the distancing that enables us to enjoy an action ...
... stage to be the world and the world to be a stage . Shake- speare constantly alludes to this interplay of fact and dream , as critics have pointed out . Sometimes he used it to supply the distancing that enables us to enjoy an action ...
Sida 45
... stage comedy and pastoral romance . 3 In the foregoing examples , resemblances between Shakespeare's stage- world and the world his audiences brought with them lie just beneath a surface of apparent difference . Often the relation is ...
... stage comedy and pastoral romance . 3 In the foregoing examples , resemblances between Shakespeare's stage- world and the world his audiences brought with them lie just beneath a surface of apparent difference . Often the relation is ...
Sida 118
... stage , Claudius , another player - king , who is a spectator of this player . And there is on the stage , besides , a prince who is a spectator of both these player - kings and who plays with great intensity a player's role himself ...
... stage , Claudius , another player - king , who is a spectator of this player . And there is on the stage , besides , a prince who is a spectator of both these player - kings and who plays with great intensity a player's role himself ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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