Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 14
... theater of Dionysus . The theoretical absolute of such responses is probably the case where a member of the audience leaps onstage and wrings the villain's neck . These are curiosities . But they remind us that the playwright's task is ...
... theater of Dionysus . The theoretical absolute of such responses is probably the case where a member of the audience leaps onstage and wrings the villain's neck . These are curiosities . But they remind us that the playwright's task is ...
Sida 24
... theater and the theater that was a world , such sudden metamorphoses came often into Shakespeare's meditations , as we know from comments put into the mouths of Richard II , Hamlet , Prospero , and the King in All's Well , who comes ...
... theater and the theater that was a world , such sudden metamorphoses came often into Shakespeare's meditations , as we know from comments put into the mouths of Richard II , Hamlet , Prospero , and the King in All's Well , who comes ...
Sida 41
... theater it would be foolish to quarrel with this . Though even in the theater a boundary line is usefully drawn between interpretation and manipulation , the experience of several cen- turies testifies that a living secular theater ...
... theater it would be foolish to quarrel with this . Though even in the theater a boundary line is usefully drawn between interpretation and manipulation , the experience of several cen- turies testifies that a living secular theater ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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