Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 91
... tion of the crowd and the apprehension of the tribunes . Now we are to see the great man himself . The procession enters to triumphal music ; with hubbub of a great press of people ; with young men stripped for the ceremonial races ...
... tion of the crowd and the apprehension of the tribunes . Now we are to see the great man himself . The procession enters to triumphal music ; with hubbub of a great press of people ; with young men stripped for the ceremonial races ...
Sida 172
... tion visually as well as verbally ) , what is it that makes a man a " fellow " ? Is it being born to menial status , as for the many serving men to whom the word is applied ? Is it total loss of status , as for Edgar , Kent , and Lear ...
... tion visually as well as verbally ) , what is it that makes a man a " fellow " ? Is it being born to menial status , as for the many serving men to whom the word is applied ? Is it total loss of status , as for Edgar , Kent , and Lear ...
Sida 184
... tion and first performance , came the revelation of the Gunpowder Plot , a plan to blow up King , Lords , and Commons in Parliament as they convened for the new session of that year on the fifth of November . The plot was made known ...
... tion and first performance , came the revelation of the Gunpowder Plot , a plan to blow up King , Lords , and Commons in Parliament as they convened for the new session of that year on the fifth of November . The plot was made known ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |