Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Sida 185
... weyard- or weyward - sisters . Both spell- ings are variations of weird , which in Shakespeare's time did not mean " freakish , ” but “ fateful " — having to do with the determination of desti- nies . Shakespeare had met with such ...
... weyard- or weyward - sisters . Both spell- ings are variations of weird , which in Shakespeare's time did not mean " freakish , ” but “ fateful " — having to do with the determination of desti- nies . Shakespeare had met with such ...
Sida 186
... weyard sisters do not suggest Duncan's murder ; they simply make a prediction , and Macbeth himself takes the matter from there . The prediction they make , more- over , is entirely congenial to the situation , requires no special ...
... weyard sisters do not suggest Duncan's murder ; they simply make a prediction , and Macbeth himself takes the matter from there . The prediction they make , more- over , is entirely congenial to the situation , requires no special ...
Sida 193
... weyard sisters dance about a hell - broth ( also a feast ? ) of dislocated frag- ments . After 3.4 , we never see Macbeth in the company of more than one or two other persons , usually servants , and in the last act his forces ebb ...
... weyard sisters dance about a hell - broth ( also a feast ? ) of dislocated frag- ments . After 3.4 , we never see Macbeth in the company of more than one or two other persons , usually servants , and in the last act his forces ebb ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
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action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
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