Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 sidor Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
Från bokens innehåll
Resultat 1-3 av 50
Sida 113
... words fly up , his thoughts remain below . If Hamlet means the conventional revenger's reasons that he gives for sparing Claudius , it was the perfect moment not to spare him - when the sinner was acknowledging his guilt , yet ...
... words fly up , his thoughts remain below . If Hamlet means the conventional revenger's reasons that he gives for sparing Claudius , it was the perfect moment not to spare him - when the sinner was acknowledging his guilt , yet ...
Sida 116
... words " the rank sweat of an enseamèd bed , " making her recoil in horror from his " counterfeit presentment of two brothers , " and holding , if we may trust a stage tradition , his father's picture beside his uncle's . Here again the ...
... words " the rank sweat of an enseamèd bed , " making her recoil in horror from his " counterfeit presentment of two brothers , " and holding , if we may trust a stage tradition , his father's picture beside his uncle's . Here again the ...
Sida 140
... words : " With all my heart " ( 1.3.278 ) . Much has been made of these words . And if we believe that Othello is sexual cripple , or has a narcissistic incapacity to love any but himself , or is emotionally underdeveloped because of ...
... words : " With all my heart " ( 1.3.278 ) . Much has been made of these words . And if we believe that Othello is sexual cripple , or has a narcissistic incapacity to love any but himself , or is emotionally underdeveloped because of ...
Innehåll
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Upphovsrätt | |
6 andra avsnitt visas inte
Andra upplagor - Visa alla
Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Begränsad förhandsgranskning - 1993 |
Vanliga ord och fraser
action alazon Antony and Cleopatra Antony's audience become Brabantio Brutus Brutus's Capulet Cassius character Claudius comedy comic Cordelia Coriolanus critics death Desdemona detachment dramatic Edgar eiron Elizabethan engagement Enobarbus episode experience eyes fact Falstaff father feeling Fool give Gloucester Hamlet hand hath heart hero honor human Iago Iago's imagination instance Julius Caesar Kent killed kind King Lear Lady Laertes Lear's lives look love's lovers Macbeth madness marriage meaning Midsummer Night's Dream mind mother murder mystery nature never night noble onstage Ophelia Othello passion perhaps play play's playwright poison Polonius queen question reality Renaissance Roman Rome Romeo and Juliet says scene seems sense Shake Shakespeare Shakespearean tragedy simply sonnet speaks speare speare's spectator speech stage tells theater thee thing thou tion tragic voice weyard Winter's Tale woman words young
Hänvisningar till den här boken
Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |