The Literary Remains of Samuel Taylor Coleridge: Shakespeare, with introductory matter on poetry, the drama, and the stage. Notes on Ben Jonson; Beaumont and Fletcher; On the Prometheus of Æschylus [and othersW. Pickering, 1836 |
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Sida 24
... observe that this remark is not without importance in ex- plaining the essential differences of the modern and ancient theatres . Phenomena , similar to those which accom- panied the origin of tragedy and comedy among the Greeks ...
... observe that this remark is not without importance in ex- plaining the essential differences of the modern and ancient theatres . Phenomena , similar to those which accom- panied the origin of tragedy and comedy among the Greeks ...
Sida 52
... observation , and in knowledge of the dif- ferent laws of being and their apparent excep- tions , from accidental collision of disturbing forces , —that at every new accession of infor- mation , after every successful exercise of me ...
... observation , and in knowledge of the dif- ferent laws of being and their apparent excep- tions , from accidental collision of disturbing forces , —that at every new accession of infor- mation , after every successful exercise of me ...
Sida 82
... observe how exquisitely the dramatic of Hotspur ; - 6 Marry , and I'm glad on't with all my heart ; I had rather be a kitten and cry - mew , & c . melts away into the lyric of Mortimer ; - I understand thy looks : that pretty Welsh ...
... observe how exquisitely the dramatic of Hotspur ; - 6 Marry , and I'm glad on't with all my heart ; I had rather be a kitten and cry - mew , & c . melts away into the lyric of Mortimer ; - I understand thy looks : that pretty Welsh ...
Sida 96
... Observe , too , the perfect pro- bability of the moment chosen by Prospero ( the very Shakspeare himself , as it were , of the tempest ) to open out the truth to his daughter , his own romantic bearing , and how completely any thing ...
... Observe , too , the perfect pro- bability of the moment chosen by Prospero ( the very Shakspeare himself , as it were , of the tempest ) to open out the truth to his daughter , his own romantic bearing , and how completely any thing ...
Sida 100
... reverence . By this kind of sophistry the imagination and fancy are first bribed to contemplate the sug- gested act , and at length to become acquainted with it . Observe how the effect of this scene 100 NOTES ON THE TEMPEST .
... reverence . By this kind of sophistry the imagination and fancy are first bribed to contemplate the sug- gested act , and at length to become acquainted with it . Observe how the effect of this scene 100 NOTES ON THE TEMPEST .
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admirable appear audience Beaumont and Fletcher beauty Bolingbroke Brutus Cæsar cause character comedy Coriolanus Cymbeline dialogue drama effect epic excellent faith fancy fear feeling fool genius Ghost give Greek Hamlet hath heart heaven Hence Henry human Iago Iago's images imagination instance intellect Jonson judgment Julius Cæsar King language Lear Lear's less Love's Labour's Lost Macbeth means metre mind moral nature ness never noble nomos object observe once Othello passage passion perhaps persons play poem poet poetic poetry Polonius present produced racter reason religion Richard Richard II Romeo and Juliet scene Sejanus sense Shak Shakspeare Shakspeare's Shakspearian soliloquy soul speech spirit supposed thee Theobald thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity verse Warburton's whilst whole words καὶ
Populära avsnitt
Sida 198 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
Sida 358 - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And even with something of a mother's mind, And no unworthy aim, The homely nurse doth all she can To make her Foster-child, her Inmate Man, Forget the glories he hath known, And that imperial palace whence he came. Behold the Child among his new-born blisses, A six years
Sida 249 - It will have blood, they say; blood will have blood ; Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.— What is the night?
Sida 59 - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
Sida 371 - I am crucified with Christ: nevertheless I live ; yet not I, but Christ liveth in me : and the life which I now live in the flesh I live by the faith of the Son of God, who loved me, and gave himself for me. 21 I do not frustrate the grace of God : for if righteousness come by the law, then Christ is dead in vain.
Sida 167 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise; This fortress, built by nature for herself, Against infection, and the hand of war; This happy breed of men, this little world; This precious stone set in the silver sea...
Sida 247 - Which would be worn now in their newest gloss, Not cast aside so soon. , LADY M. Was the hope drunk Wherein you dress'd yourself? Hath it slept since? And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire?
Sida 70 - Nature, the prime genial artist, inexhaustible in diverse powers, is equally inexhaustible in forms; — each exterior is the physiognomy of the being within, its true image reflected and thrown out from the concave mirror...
Sida 158 - tis not so deep as a well, nor so wide as a church door ; but 'tis enough, 'twill serve : ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Sida 178 - Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth...