The Literary Remains of Samuel Taylor Coleridge: Shakespeare, with introductory matter on poetry, the drama, and the stage. Notes on Ben Jonson; Beaumont and Fletcher; On the Prometheus of Æschylus [and othersW. Pickering, 1836 |
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Sida 15
... comedy a mere crowd of vices and follies , but whatever qualities it re- presents , even though they are in a certain sense amiable , it still displays them as having their origin in some dependence on our lower nature , GREEK DRAMA . 15.
... comedy a mere crowd of vices and follies , but whatever qualities it re- presents , even though they are in a certain sense amiable , it still displays them as having their origin in some dependence on our lower nature , GREEK DRAMA . 15.
Sida 16
Samuel Taylor Coleridge Henry Nelson Coleridge. their origin in some dependence on our lower nature , accompanied with a defect in true free- dom of spirit and self - subsistence , and subject to that unconnection by contradictions of ...
Samuel Taylor Coleridge Henry Nelson Coleridge. their origin in some dependence on our lower nature , accompanied with a defect in true free- dom of spirit and self - subsistence , and subject to that unconnection by contradictions of ...
Sida 20
... origin and original purpose of the chorus , as an altar - song in honour of the presiding deity . Here , and on these steps , the persons of the chorus sate collectively , when they were not singing ; attending to the dialogue as spec ...
... origin and original purpose of the chorus , as an altar - song in honour of the presiding deity . Here , and on these steps , the persons of the chorus sate collectively , when they were not singing ; attending to the dialogue as spec ...
Sida 24
... remark is not without importance in ex- plaining the essential differences of the modern and ancient theatres . Phenomena , similar to those which accom- panied the origin of tragedy and comedy among the Greeks Progress of the Drama.
... remark is not without importance in ex- plaining the essential differences of the modern and ancient theatres . Phenomena , similar to those which accom- panied the origin of tragedy and comedy among the Greeks Progress of the Drama.
Sida 25
Samuel Taylor Coleridge Henry Nelson Coleridge. panied the origin of tragedy and comedy among the Greeks , would take place among the Romans much more slowly , and the drama would , in any case , have much longer remained in its first ...
Samuel Taylor Coleridge Henry Nelson Coleridge. panied the origin of tragedy and comedy among the Greeks , would take place among the Romans much more slowly , and the drama would , in any case , have much longer remained in its first ...
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admirable appear audience Beaumont and Fletcher beauty Bolingbroke Brutus Cæsar cause character comedy Coriolanus Cymbeline dialogue drama effect epic excellent faith fancy fear feeling fool genius Ghost give Greek Hamlet hath heart heaven Hence Henry human Iago Iago's images imagination instance intellect Jonson judgment Julius Cæsar King language Lear Lear's less Love's Labour's Lost Macbeth means metre mind moral nature ness never noble nomos object observe once Othello passage passion perhaps persons play poem poet poetic poetry Polonius present produced racter reason religion Richard Richard II Romeo and Juliet scene Sejanus sense Shak Shakspeare Shakspeare's Shakspearian soliloquy soul speech spirit supposed thee Theobald thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity verse Warburton's whilst whole words καὶ
Populära avsnitt
Sida 198 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
Sida 358 - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And even with something of a mother's mind, And no unworthy aim, The homely nurse doth all she can To make her Foster-child, her Inmate Man, Forget the glories he hath known, And that imperial palace whence he came. Behold the Child among his new-born blisses, A six years
Sida 249 - It will have blood, they say; blood will have blood ; Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.— What is the night?
Sida 59 - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
Sida 371 - I am crucified with Christ: nevertheless I live ; yet not I, but Christ liveth in me : and the life which I now live in the flesh I live by the faith of the Son of God, who loved me, and gave himself for me. 21 I do not frustrate the grace of God : for if righteousness come by the law, then Christ is dead in vain.
Sida 167 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise; This fortress, built by nature for herself, Against infection, and the hand of war; This happy breed of men, this little world; This precious stone set in the silver sea...
Sida 247 - Which would be worn now in their newest gloss, Not cast aside so soon. , LADY M. Was the hope drunk Wherein you dress'd yourself? Hath it slept since? And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire?
Sida 70 - Nature, the prime genial artist, inexhaustible in diverse powers, is equally inexhaustible in forms; — each exterior is the physiognomy of the being within, its true image reflected and thrown out from the concave mirror...
Sida 158 - tis not so deep as a well, nor so wide as a church door ; but 'tis enough, 'twill serve : ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Sida 178 - Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth...