Shakespeare's SoliloquiesRoutledge, 15 apr. 2013 - 224 sidor First published in 1987. |
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Sida 4
... audience's grasp of what was happening. Often the address to the audience might seem to be nothing more than a stopgap, bridging the time between exits and entrances when the stage might otherwise have remained empty.5 It is clear that ...
... audience's grasp of what was happening. Often the address to the audience might seem to be nothing more than a stopgap, bridging the time between exits and entrances when the stage might otherwise have remained empty.5 It is clear that ...
Sida 5
... audience, gave the answer: 'I personally believe that it's right ninety-nine times out of a hundred to share a soliloquy with the audience.'9 Words that were addressed to an Elizabethan audience in this way were felt to be true, to have ...
... audience, gave the answer: 'I personally believe that it's right ninety-nine times out of a hundred to share a soliloquy with the audience.'9 Words that were addressed to an Elizabethan audience in this way were felt to be true, to have ...
Sida 8
... forefathers were a hundred years ago. What concerns us is not the convention, but the effect which the soliloquy has on us. Indeed, when the audience or unprejudiced readers encounter one of. 8. Shakespeare's. soliloquies.
... forefathers were a hundred years ago. What concerns us is not the convention, but the effect which the soliloquy has on us. Indeed, when the audience or unprejudiced readers encounter one of. 8. Shakespeare's. soliloquies.
Sida 9
... audience and reader already know, fulfilling at once the expectations of the audience and the demands of dramatic art. Yet the weight of conviction and the particular impact of a soliloquy can never be explained by a single ingredient ...
... audience and reader already know, fulfilling at once the expectations of the audience and the demands of dramatic art. Yet the weight of conviction and the particular impact of a soliloquy can never be explained by a single ingredient ...
Sida 10
... particularly relevant for Shakespeare. Does the soliloquy make the audience or the reader see what has just been experienced in a different light, resulting in a different assessment of the situation, or indeed 10 Shakespeare's soliloquies.
... particularly relevant for Shakespeare. Does the soliloquy make the audience or the reader see what has just been experienced in a different light, resulting in a different assessment of the situation, or indeed 10 Shakespeare's soliloquies.
Innehåll
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
Andra upplagor - Visa alla
Shakespeare's Soliloquies: The Presidential Address of the Modern Humanities ... Wolfgang Clemen Fragmentarisk förhandsgranskning - 1964 |
Vanliga ord och fraser
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words