Shakespeare's SoliloquiesRoutledge, 15 apr. 2013 - 224 sidor First published in 1987. |
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Sida 6
... monologue becomes dialogue, the speaker being split into selves which are in conflict with one another. Much of what distinguishes Shakespeare's soliloquies from those of his predecessors may be attributed to this process of ...
... monologue becomes dialogue, the speaker being split into selves which are in conflict with one another. Much of what distinguishes Shakespeare's soliloquies from those of his predecessors may be attributed to this process of ...
Sida 11
... monologue, did Shakespeare, the instinctive dramatist, discover for himself? Here too there will be many answers, especially concerning the partner in the internal dialogue. This touches the vital nerve of the Shakespearean soliloquy ...
... monologue, did Shakespeare, the instinctive dramatist, discover for himself? Here too there will be many answers, especially concerning the partner in the internal dialogue. This touches the vital nerve of the Shakespearean soliloquy ...
Sida 14
... monologue in the last Act of Richard III, we would have to take a closer look at the trilogy, written only shortly before Richard III. For the most part the soliloquies in these history plays still follow established dramatic ...
... monologue in the last Act of Richard III, we would have to take a closer look at the trilogy, written only shortly before Richard III. For the most part the soliloquies in these history plays still follow established dramatic ...
Sida 17
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Du har uppnått den maximala visningen för bokenvarför?..
Sida 20
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Innehåll
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
Andra upplagor - Visa alla
Shakespeare's Soliloquies: The Presidential Address of the Modern Humanities ... Wolfgang Clemen Fragmentarisk förhandsgranskning - 1964 |
Vanliga ord och fraser
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words