Shakespeare's SoliloquiesRoutledge, 15 apr. 2013 - 224 sidor First published in 1987. |
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... power ( Valery) SOLILOQUIES FROM THE TRAGEDIES ROMEO AND JULIET Romeo's nocturnal soliloquy in the orchard (Hit. 1—25) juliet longs for her wedding night (III.ii.1~31) juliet resolves to drink the potion (IV.iii.I2—58) Romeo enters the ...
... power ( Valery) SOLILOQUIES FROM THE TRAGEDIES ROMEO AND JULIET Romeo's nocturnal soliloquy in the orchard (Hit. 1—25) juliet longs for her wedding night (III.ii.1~31) juliet resolves to drink the potion (IV.iii.I2—58) Romeo enters the ...
Sida vii
... powers (11.31%54) 142 M aobeth shrinks back from the murder (Loii. 1-28) 149 Macbeth's dagger soliloquy (II.i.3 #64) I 56 OTHELLO Othello's final soliloquy (V.iz'.1~22) I63 KING LEAR Leafs soliloquizing speeches I71 Leafs visions (IV.oi ...
... powers (11.31%54) 142 M aobeth shrinks back from the murder (Loii. 1-28) 149 Macbeth's dagger soliloquy (II.i.3 #64) I 56 OTHELLO Othello's final soliloquy (V.iz'.1~22) I63 KING LEAR Leafs soliloquizing speeches I71 Leafs visions (IV.oi ...
Sida 3
... power of imagination, but also to remind them of the fictionality of their theatrical experience, varying the manner of presentation from the most direct to the most indirect.3 The development of the soliloquy up to the time immediately ...
... power of imagination, but also to remind them of the fictionality of their theatrical experience, varying the manner of presentation from the most direct to the most indirect.3 The development of the soliloquy up to the time immediately ...
Sida 8
... power of conviction and is dramatically effective. Moreover, contemporary drama has once more ceded great significance to the soliloquy ' one need only think of monodramas such as Beckett's Krupp's Last Tape, where the text consists ...
... power of conviction and is dramatically effective. Moreover, contemporary drama has once more ceded great significance to the soliloquy ' one need only think of monodramas such as Beckett's Krupp's Last Tape, where the text consists ...
Sida 18
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1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
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Shakespeare's Soliloquies: The Presidential Address of the Modern Humanities ... Wolfgang Clemen Fragmentarisk förhandsgranskning - 1964 |
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abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words