Shakespeare's SoliloquiesRoutledge, 15 apr. 2013 - 224 sidor First published in 1987. |
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Sida 6
... speaker being split into selves which are in conflict with one another. Much of what distinguishes Shakespeare's soliloquies from those of his predecessors may be attributed to this process of dramatization, a skill which he developed ...
... speaker being split into selves which are in conflict with one another. Much of what distinguishes Shakespeare's soliloquies from those of his predecessors may be attributed to this process of dramatization, a skill which he developed ...
Sida 11
... speaker? The answers to these questions will be far more finely differentiated than they would be if the same questions were applied to the soliloquies of classical German or French drama. The examination of the language will make it ...
... speaker? The answers to these questions will be far more finely differentiated than they would be if the same questions were applied to the soliloquies of classical German or French drama. The examination of the language will make it ...
Sida 14
... speaker in control of his emotions. It is chiefly in the tragedies that we encounter great eruptions of spontaneous feeling, the fusion of emotion with thought, the excitingly abrupt change from poetic to colloquial language. Falstafl's ...
... speaker in control of his emotions. It is chiefly in the tragedies that we encounter great eruptions of spontaneous feeling, the fusion of emotion with thought, the excitingly abrupt change from poetic to colloquial language. Falstafl's ...
Sida 17
Du har uppnått den maximala visningen för bokenvarför?..
Du har uppnått den maximala visningen för bokenvarför?..
Sida 25
Du har uppnått den maximala visningen för bokenvarför?..
Du har uppnått den maximala visningen för bokenvarför?..
Innehåll
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
Andra upplagor - Visa alla
Shakespeare's Soliloquies: The Presidential Address of the Modern Humanities ... Wolfgang Clemen Fragmentarisk förhandsgranskning - 1964 |
Vanliga ord och fraser
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words