Characters of Shakespeare's PlaysGood Press, 21 nov. 2019 - 293 sidor In 'Characters of Shakespeare's Plays' by William Hazlitt, readers are taken on a profound exploration of the characters that inhabit the world of Shakespeare. Hazlitt delves deep into the psychological complexities of Shakespeare's creations, providing intricate analyses of each character's motives, emotions, and unique traits. Through Hazlitt's eloquent prose and astute observations, readers gain a deeper understanding of the literary brilliance and human depth of Shakespeare's characters, making this book an invaluable resource for scholars and Shakespeare enthusiasts alike. Hazlitt's keen insights offer a fresh perspective on these iconic figures, shedding new light on their timeless relevance in the literary world. William Hazlitt, a renowned literary critic and essayist, brings his vast knowledge and passion for literature to 'Characters of Shakespeare's Plays'. His dedication to dissecting Shakespeare's characters reveals Hazlitt's profound understanding of human nature and the art of storytelling. It is this expertise that makes Hazlitt's analysis a must-read for anyone seeking to deepen their appreciation for Shakespearean works. I highly recommend 'Characters of Shakespeare's Plays' to readers who wish to enhance their understanding and appreciation of Shakespeare's timeless characters. Hazlitt's insightful commentary and engaging writing style make this book a captivating and enlightening read for both scholars and enthusiasts of Shakespearean literature. |
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... passion for individual liberty were alike precocious. In 1791, at the age of thirteen, he composed and published in The Shrewsbury Chronicle a letter of protest against the calumniators of Dr. Priestley: a performance which, for the ...
... passion for individual liberty were alike precocious. In 1791, at the age of thirteen, he composed and published in The Shrewsbury Chronicle a letter of protest against the calumniators of Dr. Priestley: a performance which, for the ...
Sida
... passions according to reason, and translate the whole into logical diagrams and rhetorical declamation'. Thus he says of Shakespeare's characters, in contradiction to what Pope had observed, and to what every one else feels, that each ...
... passions according to reason, and translate the whole into logical diagrams and rhetorical declamation'. Thus he says of Shakespeare's characters, in contradiction to what Pope had observed, and to what every one else feels, that each ...
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... passion, taking this word in its widest signification, as including every mental condition, every tone from indifference or familiar mirth to the wildest rage and despair. He gives us the history of minds; he lays open to us, in a ...
... passion, taking this word in its widest signification, as including every mental condition, every tone from indifference or familiar mirth to the wildest rage and despair. He gives us the history of minds; he lays open to us, in a ...
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... passions electrify the whole of the mental powers, and will, consequently, in highly favoured natures, express themselves in an ingenious and figurative manner. It has been often remarked, that indignation gives wit; and, as despair ...
... passions electrify the whole of the mental powers, and will, consequently, in highly favoured natures, express themselves in an ingenious and figurative manner. It has been often remarked, that indignation gives wit; and, as despair ...
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... passions with a pleasing exterior— never clothed crime and want of principle with a false show of greatness of soul; and in that respect he is every way deserving of praise. Twice he has pourtrayed downright villains; and the masterly ...
... passions with a pleasing exterior— never clothed crime and want of principle with a false show of greatness of soul; and in that respect he is every way deserving of praise. Twice he has pourtrayed downright villains; and the masterly ...
Innehåll
CYMBELINE | |
JULIUS CASESAR | |
OTHELLO | |
TIMON OF ATHENS | |
TROILUS AND CRESSIDA | |
ANTONY AND CLEOPATRA | |
LEAR | |
RICHARD II | |
HENRY IV | |
HENRY VI | |
RICHARD III | |
HENRY VIII | |
TWELFTH NIGHT OR WHAT YOU WILL | |
THE TWO GENTLEMEN OF VERONA | |
HAMLET | |
THE TEMPEST | |
THE MIDSUMMER NIGHTS DREAM | |
ROMEO AND JULIET | |
THE WINTERS TALE | |
ALLS WELL THAT ENDS WELL | |
MUCH ADO ABOUT NOTHING | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Ingen förhandsgranskning - 2015 |
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admirable affections answer Antony Apemantus banished beauty blood Bolingbroke breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth DOUBTFUL PLAYS dramatic eyes Falstaff father fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM MIDSUMMER'S NIGHT DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shakespeare Sir Toby sleep soul speak speech spirit striking sweet Table of Contents tender thee things thou art thought TITUS ANDRONICUS tongue tragedy truth Victor Hirtzler wife William Hazlitt words youth