An Inquiry Into the Moral Character of Lord Byron

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Ibotson and Palmer, 1826 - 99 sidor

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Sida 48 - This quiet sail is as a noiseless wing To waft me from distraction ; once I loved Torn ocean's roar, but thy soft murmuring . Sounds sweet as if a Sister's voice reproved, That I with stern delights should e'er have been so moved. It is the hush of night...
Sida 48 - He is an evening reveller, who makes His life an infancy, and sings his fill; At intervals, some bird from out the brakes Starts into voice a moment, then is still. There seems a floating whisper on the hill, But that is fancy, for the starlight dews All silently their tears of love instil, Weeping themselves away, till they infuse Deep into Nature's breast the spirit of her hues.
Sida 90 - Vice is a monster of so frightful mien, As, to be hated, needs but to be seen; Yet seen too oft, familiar with her face, We first endure, then pity, then embrace.
Sida 92 - While many of his tribe slumber'd around : And they were canopied by the blue sky, So cloudless, clear, and purely beautiful, That God alone was to be seen in Heaven.
Sida 49 - The morn is up again, the dewy morn, With breath all incense, and with cheek all bloom, Laughing the clouds away with playful scorn, And living as if earth contained no tomb, — And glowing into day...
Sida 22 - But going over the theory of virtue in one's thoughts, talking well, and drawing fine pictures, of it, this is so far from necessarily or certainly conducing to form a habit of it in him who thus employs himself, that it may harden the mind in a contrary course, and render it gradually more insensible, ie form a habit of insensibility to all moral considerations.
Sida 51 - Horribly beautiful ! but on the verge, From side to side, beneath the glittering morn, An Iris sits, amidst the infernal surge, Like Hope upon a death-bed, and, unworn Its steady dyes, while all around is torn By the distracted waters, bears serene Its brilliant hues with all their beams unshorn : Eesembling, 'mid the torture of the scene, Love watching Madness with unalterable mien.
Sida 92 - And on the shore he was a wanderer; There was a mass of many images Crowded like waves upon me, but he was A part of all; and in the last he lay Reposing from the noontide sultriness...
Sida 60 - This is difficult to us, because we do not sufficiently distinguish, in our observations upon language, between a clear expression and a strong expression. These are frequently confounded with each other, though they are in reality extremely different. The former regards the understanding ; the latter belongs to the passions. The one describes a thing as it is ; the latter describes it as it is felt.
Sida 91 - Indeed so little does poetry depend for its effect on the power of raising sensible images, that I am convinced it would lose a very considerable part of its energy, if this were the necessary result of all description.

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