EssaysCarcanet Press, 1974 - 299 sidor |
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Sida 72
Edwin Morgan. anything to grow . Distraction is continuous , enormous , fascinating , and frightening . Roles are adopted and discarded . The self shrinks , shudders , makes covert decisions , asks terrible questions . A poetry which ...
Edwin Morgan. anything to grow . Distraction is continuous , enormous , fascinating , and frightening . Roles are adopted and discarded . The self shrinks , shudders , makes covert decisions , asks terrible questions . A poetry which ...
Sida 81
... continuous inevitability of movement from word to word ( ' continuous ' ideally , or only in the greatest poetry , but the sense of control of direction must be interrupted as little as possible ) , startling the reader's mind into ...
... continuous inevitability of movement from word to word ( ' continuous ' ideally , or only in the greatest poetry , but the sense of control of direction must be interrupted as little as possible ) , startling the reader's mind into ...
Sida 249
... continuously self - renewing organism which is at work 24 hours a day and 365 days a year . The old concepts of ... continuous functioning . A great deal has now been achieved in both these directions , and the fact that we have to ...
... continuously self - renewing organism which is at work 24 hours a day and 365 days a year . The old concepts of ... continuous functioning . A great deal has now been achieved in both these directions , and the fact that we have to ...
Innehåll
The Poet and the Particle | 16 |
An Introduction to | 35 |
Three Views of Brooklyn Bridge | 43 |
Upphovsrätt | |
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aesthetic alliteration artist beauty become black blockb lack Bridie Brooklyn Bridge called century concrete poetry contemporary couplet course creative criticism death described Dryden Dunbar Edwin Morgan Edwin Muir English essay example experience expression eyes fact feeling flyting Gaelic genius give Glasgow Gormenghast heroic Hugh MacDiarmid human Iain Crichton Smith idea imagery imagination interest James Joyce Kailyaird kind Lallans language literary literature living lock black blockb look lyrical Mayakovsky Milton mind modern Muir nature never Norman MacCaig novels passage perhaps play poet poet's poetic prose reader rhyme Robert Lowell satire scene Scotland Scots Scottish Scriptistics seems sense Shakespeare song Sorley Maclean Soviet speech Steerpike Stevenson story style theatre theme things thought tion Titus Titus Groan tradition verbal verse Vladimir Mayakovsky Voznesensky words Wordsworth writing wrote young
Hänvisningar till den här boken
The Edinburgh Companion to Contemporary Scottish Literature Berthold Schoene-Harwood Fragmentarisk förhandsgranskning - 2007 |