EssaysCarcanet Press, 1974 - 299 sidor |
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Sida 204
... kind of poetry , accepted as A protest , invaluable to science itself , Against the exclusion of value From the essence of matter of fact . MacDiarmid himself would readily admit that success in writing such poetry , and success in ...
... kind of poetry , accepted as A protest , invaluable to science itself , Against the exclusion of value From the essence of matter of fact . MacDiarmid himself would readily admit that success in writing such poetry , and success in ...
Sida 208
... Kind of Poetry I Want – and it is a measure of the poem's great interest is that a balance is struck between ' sense impressions ' and ' information ' which makes it poss- ible for much of the information to be seen not in a textbook ...
... Kind of Poetry I Want – and it is a measure of the poem's great interest is that a balance is struck between ' sense impressions ' and ' information ' which makes it poss- ible for much of the information to be seen not in a textbook ...
Sida 210
... Kind of Poetry I Want devoid of hints as to how we must bring the ideas together . Just as some extremely intricate Celtic interlace may gain , not lose , by being slightly asymmetrical ; or as film - makers have found ( or re - learned ...
... Kind of Poetry I Want devoid of hints as to how we must bring the ideas together . Just as some extremely intricate Celtic interlace may gain , not lose , by being slightly asymmetrical ; or as film - makers have found ( or re - learned ...
Innehåll
The Poet and the Particle | 16 |
An Introduction to | 35 |
Three Views of Brooklyn Bridge | 43 |
Upphovsrätt | |
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Vanliga ord och fraser
aesthetic alliteration artist beauty become black blockb lack Bridie Brooklyn Bridge called century concrete poetry contemporary couplet course creative criticism death described Dryden Dunbar Edwin Morgan Edwin Muir English essay example experience expression eyes fact feeling flyting Gaelic genius give Glasgow Gormenghast heroic Hugh MacDiarmid human Iain Crichton Smith idea imagery imagination interest James Joyce Kailyaird kind Lallans language literary literature living lock black blockb look lyrical Mayakovsky Milton mind modern Muir nature never Norman MacCaig novels passage perhaps play poet poet's poetic prose reader rhyme Robert Lowell satire scene Scotland Scots Scottish Scriptistics seems sense Shakespeare song Sorley Maclean Soviet speech Steerpike Stevenson story style theatre theme things thought tion Titus Titus Groan tradition verbal verse Vladimir Mayakovsky Voznesensky words Wordsworth writing wrote young
Hänvisningar till den här boken
The Edinburgh Companion to Contemporary Scottish Literature Berthold Schoene-Harwood Fragmentarisk förhandsgranskning - 2007 |