[The Murray copy does not contain this emendation, which was adopted in the Fifth Edition.

P. 36 n. The Hunt copy gives in MS. the note concerning Moore-"I am informed," etc.-which is printed in the Fifth Edition. There is no similar annotation in the Murray copy.

Line 502. For ranks illustrious" both annotated copies read "oat-fed phalanx."]

Lines 532, 533.

And grateful to the founder of the feast,
Declare his landlord ean translate, at least.
And grateful for the dainties on his plate,
Declare his landlord can at least translate.

[The amended lines, which appeared in the Fifth Edition, are not in the Murray copy.]

Lines 552, 553.

While Kenny's World just suffered to proceed,
Proclaims the audience very kind indeed.

While Kenny's World-ah where is Kenny's wit?

listless

Tires the sad Gallery-lulls the listening pit.

[The emendation is given in both annotated copies; but the substitution of "listless" for "listening," which is adopted in the Fifth Edition, does not appear in the Murray copy.]

[The correction is not given in the Murray copy.]

Line 569.

and Kemble lives to tread.

Siddons

[The substitution of "Siddons" for "Kemble," which dates from the Fifth Edition, is not given in the Murray copy.]

Line 728.

Want your defence, let Pity be your screen

plea

Want is your plea, let Pity be your screen.

Lines 815, 816.

The spoiler came, and all thy promise fair
Has sought the grave, to sleep for ever there,
The Spoiler swept that soaring Lyre away,
Which she had sounded an immortal lay.
[The emendation appears in both the annotated copies.]

[This emendation does not appear in the Murray copy, but the words ["be lewd "] have been underscored with a pencil, and a X placed against them.]

Line 946.

And even spurns the great Seatonian prize.
Even from the tempting ore of Seaton's prize.
[This emendation is given in both the annotated copies.]
Lines 965, 966.

So sunk in dullness and so lost in shame

That SMYTHE-and HODGSON scarce redeem thy fame.
So sunk in dullness that nor Hodgson's verse

Can make thee better-nor poor Hewson's worse.

[This emendation is not in the Murray copy. The Fifth Edition adopts the further correction, "So lost to Phoebus" for "So sunk in dullness."]

[This emendation is not given in the Murray copy.

The Leigh Hunt copy gives twenty MS. emendations (besides "Death" for "death,” in line 820, and the alteration of "rapid to "rabid" in the note on Hewson Clarke, line 962) including the note on Moore. The Murray copy gives nine MS. emendations, of which six are identical with those in the Hunt copy. Three emendations are peculiar to the Murray copy-]

APPENDIX TO BIBLIOGRAPHY.

ILLUSTRATIONS OF LORD BYRON'S POETICAL WORKS.

Note.-The following catalogue of "illustrations of Lord Byron" has been extracted from pp. 88, 89, 94-96 of "The Prisoner of Chillon, etc. Herausgegeben von Eugen Kölbing, Weimar. 1896."

I.

Compositions in outline from Lord Byron's "Manfred" and "Prisoner of Chillon," by Frederick Thrupp, sculptor. London, Pub by Ackermann and Co., Strand.

II.

The Pocket Magazine of classic and polite literature. With engravings, illustrative of Lord Byron's Works. Vols. I., II. London: Printed and published by John Arliss. 1818.

III.

Forty illustrations of Lord Byron; by George Cruikshank. Published by J. Robins and Co., Ivy Lane, Paternoster Row. [June 12, 1824.]

IV.

Six vignettes pour les Œuvres de lord Byron, d'après les tableaux de MM. Alfred et Tony Johannot, gravées par MM. Koenig, Markl, Maulet, Pourvoyeur, Mauduit. Paris. Furne, libraireéditeur. 1832.

V.

The Byron Gallery; a series of historical embellishments to illustrate the poetical works of Lord Byron. London: published by Smith, Elder and Co. 65 Cornhill. 1833.

VI.

Finden's Illustrations of the Life and Works of Lord Byron. With original and selected information on the subjects of the engravings, by W. Brockedon. Vols. I.-III. London: John Murray, Albemarle Street: sold also by Charles Tilt, Fleet Street. 1833-1834.

VII.

Euvres de Lord Byron, gravures à l'eau-forte, par Réveil, d'après les dessins de A. Colin. Paris. Audot, éditeur du Musée de peinture. 1833.

VIII.

Historical Illustrations of Lord Byron's Works in a series of etchings by Réveil, from original paintings by A. Colin. London, Charles Tilt, 86, Fleet Street. 1834.

Galerie des dames de Byron. pentier-éditeur. 1836.

IX.

Trente-neuf planches. Paris: Char

X.

Illustrations of the Works of Lord Byron, consisting of a portrait after Saunders, a vignette title-page after Stothard, engraved by Blanchard, two facsimiles of handwriting of Byron, and twenty etchings on steel by Réveil, from original drawings by A. Colin; to which are added the select passages in English and French, which form the subject of the engravings. Adapted to all editions. Paris, Baudry, European Library, etc. 1837.

XI.

Les dames de Byron; or portraits of the principal female characters in Lord Byron's poems. Engraved from original paintings by eminent artists. Under the superintendence of W. and L. Finden. London: Charles Tilt, 86, Fleet Street. 1837.

XII.

Finden's Beauties of Byron; or, portraits of the principal female characters in Lord Byron's poems. Engraved from original paintings by eminent artists. With extracts illustrating each subject. London: Charles Tilt, Fleet-street, and Thomas Wardle, Philadelphia.

XIII.

Cabinet of Poetry and Romance. Female portraits from the writings of Byron and Scott. With poetical illustrations by Charles Swain. London: David Bogue, 86, Fleet Street. 1845.

་

XIV.

Illustrations to the Works of Lord Byron.

The drawings by Chalon, Leslie, Harding, Herbert, Meadows, Stephanoff, E. Corbould, Fanny Corbaux, Jenkins, and Westall. Engraved under the superintendence of Mr. Charles Heath. A. Fullarton & Co., 106, Newgate Street, London, etc.

XV.

The Byron Gallery of highly finished engravings, illustrating_Lord Byron's Works, with selected beauties from his poems. Elucidated by historical and critical notices, together with a sketch of his life, containing important and unpublished matter. By Robert B. McGregor, Esq. New York: published by R. Martin, 46, Anne-street.