Personal Forces in Modern LiteratureJ.M. Dent & Company, 1906 - 228 sidor |
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... POET- WILLIAM WORDSWORTH 89 KEATS AND ROSSETTI 112 • THE NOVELIST- THE GENIUS OF DICKENS 143 THE VAGABOND- WILLIAM HAZLITT THOMAS DE QUINCEY BIBLIOGRAPHICAL GUIDE INDEX . 189 205 219 226 " Surely , whoever speaks to me in the right.
... POET- WILLIAM WORDSWORTH 89 KEATS AND ROSSETTI 112 • THE NOVELIST- THE GENIUS OF DICKENS 143 THE VAGABOND- WILLIAM HAZLITT THOMAS DE QUINCEY BIBLIOGRAPHICAL GUIDE INDEX . 189 205 219 226 " Surely , whoever speaks to me in the right.
Sida 7
... Quincey , but beautiful with a limpid lucidity , a chastened eloquence , a gentle persuasiveness . Like Arnold and Ruskin he was a master of irony ; but he was more serious than Arnold and less volcanic than Ruskin . His style is not so ...
... Quincey , but beautiful with a limpid lucidity , a chastened eloquence , a gentle persuasiveness . Like Arnold and Ruskin he was a master of irony ; but he was more serious than Arnold and less volcanic than Ruskin . His style is not so ...
Sida 92
... Quincey speaks significantly of the brooding intensity of his eye , and the bursts of anger at the report of evil doings , and Coleridge has referred to him in some memorable lines as an " ever - enduring man . " Among the many pen ...
... Quincey speaks significantly of the brooding intensity of his eye , and the bursts of anger at the report of evil doings , and Coleridge has referred to him in some memorable lines as an " ever - enduring man . " Among the many pen ...
Sida 190
... Quincey , and Hazlitt and he vie with each other in shabbiness of attire . A remark- able gathering , truly , of genius and Bohemianism . But while several of the gathering had a strain of wildness in them none were so unmistakably ...
... Quincey , and Hazlitt and he vie with each other in shabbiness of attire . A remark- able gathering , truly , of genius and Bohemianism . But while several of the gathering had a strain of wildness in them none were so unmistakably ...
Sida 201
... Quincey , Borrow and Richard Jeffries . It drove Thoreau to the woods at Maine , sent Whitman chanting his blithe and uncouth songs along " the Open Road , " attracted Borrow to those aliens from civilisation , the gipsies , and made ...
... Quincey , Borrow and Richard Jeffries . It drove Thoreau to the woods at Maine , sent Whitman chanting his blithe and uncouth songs along " the Open Road , " attracted Borrow to those aliens from civilisation , the gipsies , and made ...
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admiration Agnostic Agnosticism artist attracted beauty brilliant Browning char character characteristics Charles Lamb charm Christian Christmas Coleridge colour criticism David Copperfield Dickens Dickens's dogma effect emotion essay ethical evolution excellent expression fancy feeling friends genius George Eliot grotesques Hazlitt heart Herbert Spencer human humour Huxley Huxley's ideal imagination influence inspiration intellectual interesting James Martineau Keats and Rossetti Lamb Leslie Stephen less literary literature London look Martin Chuzzlewit Metaphysical Society mind moods moral mystic Nature ness never Newman painter passage passion pathos perhaps philosophy poems poet poetry prose Quincey R. H. Hutton religion religious remarkable satire seems sense sentiment Shelley society soul sound spirit story suggests sunrise sympathy temperament Tennyson theological things thinker THOMAS DE QUINCEY Thomas Henry Huxley thought tion touch truth vagabond voice vulgar Wilfrid Ward WILLIAM HAZLITT words Wordsworth writings
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Sida 121 - I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But in embalmed darkness guess each sweet...
Sida 91 - Winds thwarting winds bewildered and forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the way-side As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and region of the heavens, Tumult and peace, the darkness and the light, Were all like workings of one mind, the features Of the same face, blossoms upon one tree, Characters of the great Apocalypse, The types...
Sida 126 - I met a lady in the meads Full beautiful - a faery's child, Her hair was long, her foot was light, And her eyes were wild.
Sida 65 - The chess-board is the world, the pieces are the phenomena of the universe, the rules of the game are what we call the laws of Nature.
Sida 94 - THE world is too much with us: late and soon, Getting and spending, we lay waste our powers: Little we see in Nature that is ours; We have given our hearts away, a sordid boon!
Sida 115 - To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core ; To swell the gourd, and plump the hazel shells With a sweet kernel ; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer...
Sida 115 - Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too, While barred clouds bloom the soft-dying day...
Sida 153 - To sit on rocks, to muse o'er flood and fell, To slowly trace the forest's shady scene, Where things that own not man's dominion dwell, And mortal foot hath ne'er or rarely been ; To climb the trackless mountain all unseen, With the wild flock that never needs a fold ; Alone o'er steeps and foaming falls to lean ; This is not solitude ; 'tis but to hold Converse with Nature's charms, and view her stores unroll'd.
Sida 102 - The floating Clouds their state shall lend To her ; for her the willow bend ; Nor shall she fail to see Even in the motions of the Storm Grace that shall mould the Maiden's form By silent sympathy.
Sida 127 - The moon was at its edge. The thick black cloud was cleft, and still The Moon was at its side : Like waters shot from some high crag, The lightning fell with never a jag A river steep and wide.