Personal Forces in Modern LiteratureJ.M. Dent & Company, 1906 - 228 sidor |
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Sida 9
... seductive power of the senses , for he was an artist in his own way , and the possibilities of human nature for good and evil appalled him . And a good deal that he wrote which seemed hesitating 9 IN MODERN LITERATURE.
... seductive power of the senses , for he was an artist in his own way , and the possibilities of human nature for good and evil appalled him . And a good deal that he wrote which seemed hesitating 9 IN MODERN LITERATURE.
Sida 17
... artist pure and simple . On the religious side art is always pantheistic . Its aim , it has been said , is to read off the expressiveness of things . It has no need of dogma , for its feeling towards the infinite is one that loses much ...
... artist pure and simple . On the religious side art is always pantheistic . Its aim , it has been said , is to read off the expressiveness of things . It has no need of dogma , for its feeling towards the infinite is one that loses much ...
Sida 27
... artistic temperament , and the scientific - the critical temperament . The perceptive temperament dominated , and to its influence may be attributed Martineau's ready response to the beauty of the world of nature , the attractions of ...
... artistic temperament , and the scientific - the critical temperament . The perceptive temperament dominated , and to its influence may be attributed Martineau's ready response to the beauty of the world of nature , the attractions of ...
Sida 41
... artistic temperament . It ignores the kinship be- tween genius and insanity . Is Martineau's picture altogether psychologically true ? Is it not a fact that the finer appreciation of poetic beauty is gained at the expense of the ...
... artistic temperament . It ignores the kinship be- tween genius and insanity . Is Martineau's picture altogether psychologically true ? Is it not a fact that the finer appreciation of poetic beauty is gained at the expense of the ...
Sida 82
... artist . Tennyson's strong views on immortality contrast with Huxley's emphatic Agnosticism , and one would not have thought on a first comparison that the two men had much in But they had , and the more the two * Professor Huxley ...
... artist . Tennyson's strong views on immortality contrast with Huxley's emphatic Agnosticism , and one would not have thought on a first comparison that the two men had much in But they had , and the more the two * Professor Huxley ...
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admiration Agnostic Agnosticism artist attracted beauty brilliant Browning char character characteristics Charles Lamb charm Christian Christmas Coleridge colour criticism David Copperfield Dickens Dickens's dogma effect emotion essay ethical evolution excellent expression fancy feeling friends genius George Eliot grotesques Hazlitt heart Herbert Spencer human humour Huxley Huxley's ideal imagination influence inspiration intellectual interesting James Martineau Keats and Rossetti Lamb Leslie Stephen less literary literature London look Martin Chuzzlewit Metaphysical Society mind moods moral mystic Nature ness never Newman painter passage passion pathos perhaps philosophy poems poet poetry prose Quincey R. H. Hutton religion religious remarkable satire seems sense sentiment Shelley society soul sound spirit story suggests sunrise sympathy temperament Tennyson theological things thinker THOMAS DE QUINCEY Thomas Henry Huxley thought tion touch truth vagabond voice vulgar Wilfrid Ward WILLIAM HAZLITT words Wordsworth writings
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Sida 121 - I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But in embalmed darkness guess each sweet...
Sida 91 - Winds thwarting winds bewildered and forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the way-side As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and region of the heavens, Tumult and peace, the darkness and the light, Were all like workings of one mind, the features Of the same face, blossoms upon one tree, Characters of the great Apocalypse, The types...
Sida 126 - I met a lady in the meads Full beautiful - a faery's child, Her hair was long, her foot was light, And her eyes were wild.
Sida 65 - The chess-board is the world, the pieces are the phenomena of the universe, the rules of the game are what we call the laws of Nature.
Sida 94 - THE world is too much with us: late and soon, Getting and spending, we lay waste our powers: Little we see in Nature that is ours; We have given our hearts away, a sordid boon!
Sida 115 - To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core ; To swell the gourd, and plump the hazel shells With a sweet kernel ; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer...
Sida 115 - Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too, While barred clouds bloom the soft-dying day...
Sida 153 - To sit on rocks, to muse o'er flood and fell, To slowly trace the forest's shady scene, Where things that own not man's dominion dwell, And mortal foot hath ne'er or rarely been ; To climb the trackless mountain all unseen, With the wild flock that never needs a fold ; Alone o'er steeps and foaming falls to lean ; This is not solitude ; 'tis but to hold Converse with Nature's charms, and view her stores unroll'd.
Sida 102 - The floating Clouds their state shall lend To her ; for her the willow bend ; Nor shall she fail to see Even in the motions of the Storm Grace that shall mould the Maiden's form By silent sympathy.
Sida 127 - The moon was at its edge. The thick black cloud was cleft, and still The Moon was at its side : Like waters shot from some high crag, The lightning fell with never a jag A river steep and wide.