Personal Forces in Modern LiteratureJ.M. Dent & Company, 1906 - 228 sidor |
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Sida 17
... moods , and cannot be readily com- municated to others , yet it is a mistake to think that it is not strong because it has not wholly emerged out of feeling into concrete thought . To its perceptions , form , colour , sound , motion ...
... moods , and cannot be readily com- municated to others , yet it is a mistake to think that it is not strong because it has not wholly emerged out of feeling into concrete thought . To its perceptions , form , colour , sound , motion ...
Sida 41
... moods or gusts of passion . To say that genius always excuses these is , one may argue with Martineau , mischievous ; the tendency to idealise the very weaknesses of men of genius deserves nothing 4I IN MODERN LITERATURE.
... moods or gusts of passion . To say that genius always excuses these is , one may argue with Martineau , mischievous ; the tendency to idealise the very weaknesses of men of genius deserves nothing 4I IN MODERN LITERATURE.
Sida 91
... moods and a wilful childishness that puzzled and offended serious men like Carlyle , was often put down as a wild , irresponsible creature , amiable and amusing , perhaps , but with no solid depth . And yet as we know , those surface ...
... moods and a wilful childishness that puzzled and offended serious men like Carlyle , was often put down as a wild , irresponsible creature , amiable and amusing , perhaps , but with no solid depth . And yet as we know , those surface ...
Sida 95
... moods . ( Really , to hear some people speak of him one would think he had been some foolish old man with an un- accountable weakness for pet lambs and blinking stars and rhapsodies on wayside flowers . ) The active prin- ciple that ...
... moods . ( Really , to hear some people speak of him one would think he had been some foolish old man with an un- accountable weakness for pet lambs and blinking stars and rhapsodies on wayside flowers . ) The active prin- ciple that ...
Sida 102
... moods . In " In Memoriam the ex- quisite etchings of sunrise and sunset , spring and autumn , are closely interwoven with the spirit of the mourner , and in the finest of all note the philosophic under - note : - " And suck'd from out ...
... moods . In " In Memoriam the ex- quisite etchings of sunrise and sunset , spring and autumn , are closely interwoven with the spirit of the mourner , and in the finest of all note the philosophic under - note : - " And suck'd from out ...
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admiration Agnostic Agnosticism artist attracted beauty brilliant Browning char character characteristics Charles Lamb charm Christian Christmas Coleridge colour criticism David Copperfield Dickens Dickens's dogma effect emotion essay ethical evolution excellent expression fancy feeling friends genius George Eliot grotesques Hazlitt heart Herbert Spencer human humour Huxley Huxley's ideal imagination influence inspiration intellectual interesting James Martineau Keats and Rossetti Lamb Leslie Stephen less literary literature London look Martin Chuzzlewit Metaphysical Society mind moods moral mystic Nature ness never Newman painter passage passion pathos perhaps philosophy poems poet poetry prose Quincey R. H. Hutton religion religious remarkable satire seems sense sentiment Shelley society soul sound spirit story suggests sunrise sympathy temperament Tennyson theological things thinker THOMAS DE QUINCEY Thomas Henry Huxley thought tion touch truth vagabond voice vulgar Wilfrid Ward WILLIAM HAZLITT words Wordsworth writings
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Sida 121 - I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But in embalmed darkness guess each sweet...
Sida 91 - Winds thwarting winds bewildered and forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the way-side As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and region of the heavens, Tumult and peace, the darkness and the light, Were all like workings of one mind, the features Of the same face, blossoms upon one tree, Characters of the great Apocalypse, The types...
Sida 126 - I met a lady in the meads Full beautiful - a faery's child, Her hair was long, her foot was light, And her eyes were wild.
Sida 65 - The chess-board is the world, the pieces are the phenomena of the universe, the rules of the game are what we call the laws of Nature.
Sida 94 - THE world is too much with us: late and soon, Getting and spending, we lay waste our powers: Little we see in Nature that is ours; We have given our hearts away, a sordid boon!
Sida 115 - To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core ; To swell the gourd, and plump the hazel shells With a sweet kernel ; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer...
Sida 115 - Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too, While barred clouds bloom the soft-dying day...
Sida 153 - To sit on rocks, to muse o'er flood and fell, To slowly trace the forest's shady scene, Where things that own not man's dominion dwell, And mortal foot hath ne'er or rarely been ; To climb the trackless mountain all unseen, With the wild flock that never needs a fold ; Alone o'er steeps and foaming falls to lean ; This is not solitude ; 'tis but to hold Converse with Nature's charms, and view her stores unroll'd.
Sida 102 - The floating Clouds their state shall lend To her ; for her the willow bend ; Nor shall she fail to see Even in the motions of the Storm Grace that shall mould the Maiden's form By silent sympathy.
Sida 127 - The moon was at its edge. The thick black cloud was cleft, and still The Moon was at its side : Like waters shot from some high crag, The lightning fell with never a jag A river steep and wide.