Battles of Songs: Udje Tradition of the UrhoboThis is a study of the principal aspects of the Udje tradition ? poetry, dance and music ? of the Udu and Aghievwen divisions of the Urhobo of Delta State, Nigeria. It defines the territorial scope of the study, surveys Udu and Ughievwen social history, and situates Udje within the context of the Urhobo song-poetry tradition; reviews the theoretical perspectives on the practice of satire in the Udje dance-songs, and considers the conceptual views of some Udje practitioners of Udje, both as a literary art and as a medium for social reform; and attempts to classify and describe Udje songs. The concluding chapters consider the decline of the Udje tradition and the satirical song-poetry tradition in Urhobo, reviewing how post 1960s trends are likely to affect the artistic integrity of Udje in the future. |
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Sida 23
An English critic , Gilbert Highet , is quite emphatic on this dichotomy : The lampoon wishes merely to wound and destroy individuals or groups . Satire wounds and destroys individuals or groups in order to benefit society as a whole .
An English critic , Gilbert Highet , is quite emphatic on this dichotomy : The lampoon wishes merely to wound and destroy individuals or groups . Satire wounds and destroys individuals or groups in order to benefit society as a whole .
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The urge , as Nwoga says of Igbo satirical practice , is punishment through words , an expression of anger with an individual rather than the sense of offended morality . The emphasis being made in the foregoing remarks is on the ...
The urge , as Nwoga says of Igbo satirical practice , is punishment through words , an expression of anger with an individual rather than the sense of offended morality . The emphasis being made in the foregoing remarks is on the ...
Sida 72
From line 40 the focus shifts from the collective to individuals whose case histories typify the “ tragedy ” that is ... or the individual's experience is first recounted and then rounded off with a general comment on the misfortune of ...
From line 40 the focus shifts from the collective to individuals whose case histories typify the “ tragedy ” that is ... or the individual's experience is first recounted and then rounded off with a general comment on the misfortune of ...
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Innehåll
Sociohistorical background | 1 |
Satire and the genial spirit | 15 |
Rivalry relationships in Udje | 28 |
Upphovsrätt | |
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acts Akpo Aladja ando artists attack attempt avwan ayen become Behold called challenge chapter court dance Death division Edjophe Ekrejegbe Erivwin expression festival fish Gbariemu Gbogidi Greetings Group Hear hwan Ihwo individuals Kogho koyen Kpaenban lead Leader lines living Logbo Loya material matter mother Movement narrative never Odile Ohwo Oloya once Orhunghworun Oyen pair participants performance person phrun piece Poverty practice presentation referred relationship remark returned rien rival royen satirical satirist season sing singer situation social society solo songs spectators tradition tree turned Type Udje Udu and Ughievwen Ughere Uhanghwa Urhobo vwen ward wife