Battles of Songs: Udje Tradition of the UrhoboThis is a study of the principal aspects of the Udje tradition ? poetry, dance and music ? of the Udu and Aghievwen divisions of the Urhobo of Delta State, Nigeria. It defines the territorial scope of the study, surveys Udu and Ughievwen social history, and situates Udje within the context of the Urhobo song-poetry tradition; reviews the theoretical perspectives on the practice of satire in the Udje dance-songs, and considers the conceptual views of some Udje practitioners of Udje, both as a literary art and as a medium for social reform; and attempts to classify and describe Udje songs. The concluding chapters consider the decline of the Udje tradition and the satirical song-poetry tradition in Urhobo, reviewing how post 1960s trends are likely to affect the artistic integrity of Udje in the future. |
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For example , the Orhunghworun carnival of March 1977 , lasted for only a day because of what participants termed the ... On that day , relations and well - wishers of each participant would go to the arena to present him with generous ...
For example , the Orhunghworun carnival of March 1977 , lasted for only a day because of what participants termed the ... On that day , relations and well - wishers of each participant would go to the arena to present him with generous ...
Sida 56
Sequence I : Igbe - eseho ( summoning the participants ) This step involved the sending out of signals to participants and spectators to remind them of the impending performance . Two or three drummers would move through the community ...
Sequence I : Igbe - eseho ( summoning the participants ) This step involved the sending out of signals to participants and spectators to remind them of the impending performance . Two or three drummers would move through the community ...
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Sequence IV : Igbe erhuereho ( positioning participants ) When the procession got to the arena it would split in two . Drummers and dancers would enter a circle already formed by anxious spectators who always arrived early to gain ...
Sequence IV : Igbe erhuereho ( positioning participants ) When the procession got to the arena it would split in two . Drummers and dancers would enter a circle already formed by anxious spectators who always arrived early to gain ...
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Sociohistorical background | 1 |
Satire and the genial spirit | 15 |
Rivalry relationships in Udje | 28 |
Upphovsrätt | |
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acts Akpo Aladja ando artists attack attempt avwan ayen become Behold called challenge chapter court dance Death division Edjophe Ekrejegbe Erivwin expression festival fish Gbariemu Gbogidi Greetings Group Hear hwan Ihwo individuals Kogho koyen Kpaenban lead Leader lines living Logbo Loya material matter mother Movement narrative never Odile Ohwo Oloya once Orhunghworun Oyen pair participants performance person phrun piece Poverty practice presentation referred relationship remark returned rien rival royen satirical satirist season sing singer situation social society solo songs spectators tradition tree turned Type Udje Udu and Ughievwen Ughere Uhanghwa Urhobo vwen ward wife