Battles of Songs: Udje Tradition of the UrhoboThis is a study of the principal aspects of the Udje tradition ? poetry, dance and music ? of the Udu and Aghievwen divisions of the Urhobo of Delta State, Nigeria. It defines the territorial scope of the study, surveys Udu and Ughievwen social history, and situates Udje within the context of the Urhobo song-poetry tradition; reviews the theoretical perspectives on the practice of satire in the Udje dance-songs, and considers the conceptual views of some Udje practitioners of Udje, both as a literary art and as a medium for social reform; and attempts to classify and describe Udje songs. The concluding chapters consider the decline of the Udje tradition and the satirical song-poetry tradition in Urhobo, reviewing how post 1960s trends are likely to affect the artistic integrity of Udje in the future. |
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Sida xiii
... managerial personnel and their various functions , troupes ' entries and exits , periodic interruptions occasioned by the sheer dramatic intensity of the song presentation , and running commentaries by members of the audience .
... managerial personnel and their various functions , troupes ' entries and exits , periodic interruptions occasioned by the sheer dramatic intensity of the song presentation , and running commentaries by members of the audience .
Sida 60
The manner of presentation permitted the vocalists to embellish the text with extempore phrases and other nuances such as gestures , facial expressions , etc. , which combined with the verbal elements of the song to achieve theatrical ...
The manner of presentation permitted the vocalists to embellish the text with extempore phrases and other nuances such as gestures , facial expressions , etc. , which combined with the verbal elements of the song to achieve theatrical ...
Sida 67
Since the supreme intention is to relate a story in as vivid a manner as possible , the presentation of the song usually followed a deliberate , recitative pace . In other words , the musical elements were subordinated to the demands of ...
Since the supreme intention is to relate a story in as vivid a manner as possible , the presentation of the song usually followed a deliberate , recitative pace . In other words , the musical elements were subordinated to the demands of ...
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Sociohistorical background | 1 |
Satire and the genial spirit | 15 |
Rivalry relationships in Udje | 28 |
Upphovsrätt | |
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