Battles of Songs: Udje Tradition of the UrhoboThis is a study of the principal aspects of the Udje tradition ? poetry, dance and music ? of the Udu and Aghievwen divisions of the Urhobo of Delta State, Nigeria. It defines the territorial scope of the study, surveys Udu and Ughievwen social history, and situates Udje within the context of the Urhobo song-poetry tradition; reviews the theoretical perspectives on the practice of satire in the Udje dance-songs, and considers the conceptual views of some Udje practitioners of Udje, both as a literary art and as a medium for social reform; and attempts to classify and describe Udje songs. The concluding chapters consider the decline of the Udje tradition and the satirical song-poetry tradition in Urhobo, reviewing how post 1960s trends are likely to affect the artistic integrity of Udje in the future. |
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Sida 16
the poetics and performance techniques of Igbo satire , especially in the Mbaise section of Imo State . ... Indeed , the Tiv kwahir or puppetry theatre epitomises the satirical spirit engendered by the egalitarian and pre - capitalist ...
the poetics and performance techniques of Igbo satire , especially in the Mbaise section of Imo State . ... Indeed , the Tiv kwahir or puppetry theatre epitomises the satirical spirit engendered by the egalitarian and pre - capitalist ...
Sida 17
Evolutionist theorists of satirical literature usually trace its origin to rituals of purification - occasions set aside in the year to exorcise evil forces that endanger the health of society . Although the primary function of satire ...
Evolutionist theorists of satirical literature usually trace its origin to rituals of purification - occasions set aside in the year to exorcise evil forces that endanger the health of society . Although the primary function of satire ...
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The satirist's use of invectives sometimes gives the impression that he intends some diabolical end for the target . The so - called affinity between the curse and satire derives from two probable sources . First , there is the belief ...
The satirist's use of invectives sometimes gives the impression that he intends some diabolical end for the target . The so - called affinity between the curse and satire derives from two probable sources . First , there is the belief ...
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Sociohistorical background | 1 |
Satire and the genial spirit | 15 |
Rivalry relationships in Udje | 28 |
Upphovsrätt | |
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acts Akpo Aladja ando artists attack attempt avwan ayen become Behold called challenge chapter court dance Death division Edjophe Ekrejegbe Erivwin expression festival fish Gbariemu Gbogidi Greetings Group Hear hwan Ihwo individuals Kogho koyen Kpaenban lead Leader lines living Logbo Loya material matter mother Movement narrative never Odile Ohwo Oloya once Orhunghworun Oyen pair participants performance person phrun piece Poverty practice presentation referred relationship remark returned rien rival royen satirical satirist season sing singer situation social society solo songs spectators tradition tree turned Type Udje Udu and Ughievwen Ughere Uhanghwa Urhobo vwen ward wife