For youth it well beseemeth, That pleasure he esteemeth; And sullen age is hated, That mirth would haue abated. xxxiij. Sing shepherds after mee, Our hearts do neuer disagree; Fa la la. No war can spoile vs of onr store, Our welth is ease, we wish no more; Black are our lookes, we goe not braue, xxxiiij. I loue, and haue my loue regarded, And sport with sport as well rewarded, Fa la la. XXXV.* Cold winter's ice is fled and gone, And sommer brages on eu'ry tree; Why are you ladies staying, And your lords gone a Maying; *Canto. Madrigals of 5, and 6 parts, apt for the viols and voices. Made and newly published by Thomas Weelkes of the Coledge at Winchester; Organist, At London printed by Thomas Este, the assigne of Thomas Morley, 1600. 4to. Dedicated "to the trvely noble, vertucus, and honorable, my very good Lord Henry Lord Winsor, Baron of Bradenham." Contains ten songs. Runne apace and meete them; (Second part.) Harke, harke, I heare [the dauncing] The bagpipe and the morris bells, That they are not farre hence vs tells ; Come let vs all goe thether, And daunce like friends together.* xxxvij. Lady the birds right fairely, Are singing euer earely; The larke, the thrush, the nightingale, The make sport cuckow, and the quaile; *The bagpipe must be considered as only provincially attached to the Morice-daunce. Of its musical estimation in the time of the author there is proof in Shakspeare's Winter's Tale, where the servant, announcing the arrival of Autolicus, says, "If you did but hear the pedler at the door, you would never dance again after a tabor and pipe; no, the bagpipe could not move you."The above lines are too modern to appear like an authority, or "the daunce like friends together" might supply an idea of the undescribed characters which appear in Mr. Tollett's window, and also in the Flemish print given by Mr. Douce. Upon this subject I shall take the liberty of noticing a slight recollection, (but which I consider may be depended on), of having heard at a juvenile period, when such trifles make lasting impressions, an old maudlin ditty, containing in one part the following words; "I am a Morice-dancer, And have a tongue within my teeth To give the folks an answer." xxxviij.* (First part.) Thule, the period of cosmographie Doth vaunt of Hecla, whose sulphurious fire Doth melt the frozen clime and thaw the skie, Trinacrian Ætna's flames ascend not hier; These things seeme wondrous, yet more wondrous I, Whose hart with feare doth freeze, with loue doth fry. (Second part.) The Andelusian merchant that returnes, Laden with Cutchinele and china dishes, Reports in Spaine how strangely Fogo burnes, These things seeme wondrous, yet more wondrous I, xxxviiij. A sparow hauke proud did hold in wicked iayle, To whom with sighes she said, oh set me free, xl. Mars in a furie gainst loue's brightest queene, J. H. "Canto. Madrigals of six parts, apt." &c. (ut sup.) Conclusion of the last, dedicated "to the right noble minded, and most vertuous gentleman, Maister George Brooke, Esquier." Contains ten songs. Neither of Weelkes's publications are noticed by Herbert. H 2 ART. LXXXIV. Old Madrigals. O stay faire cruell, doe not still torment mee That viewes my face and my misfortune reads; Your glorie's greater for to spare then spill. ij. My hope a counsell with my loue, hath long desired to bee, And maruels much so deere a friend, is not retayn'd by mee; She doth condemne my foolish hast in passing the estate Of my whole lyfe into your hands, who nought payes for't but hate; And not suffic'd with this, she sayes I dyd release the right Of my enjoyed liberties, vnto your beauteous sight. iij. Pittie deere loue my pittie mouing words, Fetch'd from the depth of griefe and sad lament, Whose thoughts before they speak, no hope affords, Sauing that thus you know my discontent. iiij. Sweet loue I erre, and doe my error know, As he that burnes, and nourisheth the fire; My griefe doth waxe and reason lesse doth grow, Yet want I power to bridle my desire; *Tenor. Madrigales to 3. 4. and 5. parts: apt for Viols and voices. Newly composed by Michaell Este. 1604. In London printed by Thomas Este. Dedicated to Sir Iohn Crofts, Knight, and divided in three portions of eight each for three, four, and five voices. Content is dead, my ioyes are all distressed; * V. In vaine my tongue thou begst to ease my care, In vaine mine eies you gase, or looke for aide, In vaine my eares you listen after aire, In vaine my thoughts you thinke what hath beene said; In vaine my hope when truth is not rewarded; In vaine my faith serues where 'tis not regarded. My prime of youth is but a frost of cares, And all my good is but vaine hope of gaine: The spring is past, and yet it hath not sprung, The fruit is dead and yet the leaues bee greene; My youth is gone and yet I am but young, Slie theefe, if so you will me beleeue, viiij. (Second part.) What thing more cruell can you doe, Then rob a man and kill him to; |