Coming of Age in ShakespeareRoutledge, 15 apr. 2013 - 248 sidor Marjorie Garber examines the rites of passage and maturation patterns--"coming of age"--in Shakespeare's plays. Citing examples from virtually the entire Shakespeare canon, she pays particular attention to the way his characters grow and change at points of personal crisis. Among the crises Garber discusses are: separation from parent or sibling in preparation for sexual love and the choice of husband or wife; the use of names and nicknames as a sign of individual exploits or status; virginity, sexual initiation and the acceptance of sexual maturity, childbearing and parenthood; and, finally, attitudes toward death and dying. |
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... contrasts , are frequently to be found between the practices and beliefs of the two societies . Because of the ... contrast we may be able to turn , made newly and vividly self - conscious and self - critical , to judge anew and ...
... contrasts , are frequently to be found between the practices and beliefs of the two societies . Because of the ... contrast we may be able to turn , made newly and vividly self - conscious and self - critical , to judge anew and ...
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... contrast , rites of passage are individual and non - periodic . The crises which provoke them have to do not with the season , but - in most cases - with some aspect of the family system . Where rites of intensification affect all the ...
... contrast , rites of passage are individual and non - periodic . The crises which provoke them have to do not with the season , but - in most cases - with some aspect of the family system . Where rites of intensification affect all the ...
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... contrast , the growth toward maturity of Olivia and Orsino . Perhaps the quintessential Shakespearean example of such a contrast between stasis and change is the relationship between Prince Hal and Falstaff . In the tavern world , as in ...
... contrast , the growth toward maturity of Olivia and Orsino . Perhaps the quintessential Shakespearean example of such a contrast between stasis and change is the relationship between Prince Hal and Falstaff . In the tavern world , as in ...
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Innehåll
SEPARATION AND INDIVIDUATION | 30 |
PLAIN SPEAKING | 80 |
WOMENS RITES | 116 |
COMPARISON AND DISTINCTION | 174 |
Lenvoy | 242 |
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acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night noted observed offers once pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young